Raindance producers' lab lo-to-no budget filmmaking
"Discover vital insider tips on producing movies with a micro budget! Covering both tried and true filmmaking techniques as well as insight on marketing, selling, and distributing your film, Raindance Producers' Lab, Second Edition is the ultimate independent filmmaker's guide to prod...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Massachusetts :
Focal Press
2014.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627899006719 |
Tabla de Contenidos:
- Cover; Raindance Producers' Lab; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgements; About the Author; Introduction to the Second Edition; 1 Nobody Knows Anything; Why nobody knows anything; Banks; Channel 4; Money; Scripts; Lights; Camera; Why do you want to make a movie?; 2 The Hollywood Zoo; The animals in the film industry zoo; Bullies; Screamers and shouters; Snakes; Crouching tigers; Casting couch lotharios; Sharks; Ruthless climbers; Star chasers; The nice people; Saying thank you; The greeting card; The gift; The postcard theory; Developing a personal image
- The three reasons you will not make a movieLack of confidence; Self-destruction; Procrastination; Seven essential steps for becoming rich and famous by making a low-budget film: Step 1; Find an excellent screenplay; 3 Budgeting and Scheduling; Choosing a budget; The four budgets; Find the right budget for your script; Describing your budget; Talking the talk; The nine most famous words in Hollywood; The two big questions; Advantages of a 1-week shoot; Elements of a budget; How to choose your budget; How I chose a £10,000 budget; How I chose a zero budget; Refrigerator theory of budgeting
- Preparing the scheduleScript breakdown; Production board; Writing for lo-to-no budget films; Moving the budget down; Strategy for producing a zero-budget film; Script strategy; Locations strategy; Talent strategy; Special effects strategy; Shooting schedule strategy; Sample £3,000 (4,500) 35mm shoot; Sample £1,000 (1,500) digital shoot; Seven essential steps: Step 2; Find some money; 4 Originating Formats; No budget; Toy cameras and phones; Advantages; Limitations; Low budget; DSLRs; Advantages; Limitations; Prosumer camcorders; Advantages; Limitations; Digital cinema cameras; Advantages
- LimitationsDigital Q+A; Originating on film; Super 8; 16mm/Super16; 35mm/Super35; Choosing a format; 5 The Camera Package; How film cameras work; Camera movement; Zoom; Pan and tilt; Track; Dolly; The camera; Film drive and transport mechanisms (film cameras); Tachometer (film cameras); Shutter speed; Lenses; Lens sharpness and contrast; Camera rental; Negotiation techniques; How camera rentals are negotiated; Requirements of a cheap camera rental deal; 6 Sound; Three sound ingredients; Dialogue; Sound effects; Music; Recording location sound; Sound crew; Sound consistency; Microphones
- How a microphone worksTypes of microphones; It's all just a chain; Sound as picture; Recording sound in camera; The meaning of 16-bit and 24-bit; In camera or sync sound?; Sweetening the soundtrack; ADR; Foley; Sound design; In conversation with Roland Heap; In conversation with Stephen Coates; Film sound glossary; 7 Cinematography; The production process; Pre-production; The shoot: the life of a DoP; Post-production; Film lighting crash course; The low-budget shoot; Shooting without lights; Hiring a DoP; Career route of a DoP; Lighting terms glossary; 8 Production Values
- Role of the production designer
