Digital filmmaking the changing art and craft of making motion pictures
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniqu...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Boston :
Focal Press
c2000.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627884106719 |
Tabla de Contenidos:
- Cover; Digital Filmmaking; Copyright; Contents; Foreword; Preface To The Second Edition; Acknowledgments; Introduction; Preproduction And Previsualization; 1. From Filmmaking To Digital Filmmaking; Industry Viewpoints; George Lucas-filmmaker/lucasfilm; The Process And The People who Make Films; Collaboration Defines Filmmaking; Preproduction; The Screenwriter; Script Breakdown; Budgeting; Scheduling; Casting; Production Designer; Location Scout; Set Designer; Set Decorator; Property Master; Costume Designer; Makeup Artist; Production Illustrator; Production; Director Of Photography
- Camera Operator; Key Grip; Gaffer; Production Sound Mixer; Script Supervisor/continuity; Developing And Printing The Film; Postproduction; Negative Cutter; Visual Effects Producer; Re-recording Mixer; Scoring Mixer; Titles And Effects Supervisor; The Color Timer; The Collaborative Process Offilmmaking; Industry Viewpoints; Howard Smith-film Editor; 2. Introduction To Digital Filmmaking; Film Categories; Film-a World Perspective; The Digital Filmmaking Experience; Industry Viewpoints; Fraser Heston-director/writer; Preserving And Sharinginformation
- Preproduction, Production/postproduction, And Distribution; Why Filmmaking Is Changing; The Digital Filmmaking Flowchart; Preproduction; The Script; Industry Viewpoints; Tim Mcgovern-svp Of Creative and Technical Affairs, Sony pictures Imageworks; Previsualization; Set Construction And Lighting considerations; Script And Previsualization:an Interconnected Process; The Script Supervisor And Logging; The Camera, Sound, Andon-location Digital Recording processes; On-set/on-location previsualization, Editorial/ And compositing; The Laboratory; The Telecine; Electronic Dailies; Dailies Projection
- The Editorial Stage; Editorial Interaction With Parallel operations; Industry Viewpoints; Frank Kerr-film Director; Networking; Screening; Changes; Sound Sweetening And Mixing; Libraries For Picture And Sound; Finishing The Film; The Film Negative; Timing Lite Information; Computerized Workprint And negative Location Tables; Film Exhibition And distribution; Theater And Film Or Television And video?; Ancillary And New Markets; Electronic Distribution; Industry Viewpoints; Kim Aubry-vice-president, engineering And Technology, american Zoetrope; Rob Kobrin-editor
- Basil Pappas-film And Digital,nonlinear Editor; 3. Scripting, Breakdown, scheduling, And Budgeting; Scripting; Scheduling; Budgeting; Industry Viewpoints; Elizabeth Rodeno-production Manager, Film And Commercial Productions; 4. Previsualization; Envisioning The Finished Film; Industry Viewpoints; Frank Foster-vice President Of Previsualization, Sony Pictures Image Works; Utilizing The Work Products Of The Previsualization Stage; Storyboarding: Visualizing Scene Coverage; Electronic Storyboarding Software; Storyboarding Tools And Creating an Electronic Storyboard; Drawing And Pasting; Industry Viewpoints
