Complete raw workflow guide the to get the most from your raw images in Adobe Camera Raw, lightroom, Photoshop and elements
One of the most important technologies a photographer can master is shooting and working with raw images. However, figuring out the best way to work with raw files can be confusing and overwhelming. What's the advantage to working in raw? How do you manage, organize, and store raw files? What&#...
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Routledge
2012.
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| Edición: | 1st ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627800306719 |
Tabla de Contenidos:
- Cover; The Complete Raw Workflow Guide; Copyright; Contents; Preface; Dedication; Author's Acknowledgements; Picture Credits; Section One: Raw Basics; 1. Raw School 101; What Is Raw?; An Extra Processing Step; Behold the New Negative; Why Bother with Raw? Why Not Just Stick to Jpeg?; When Only the Best Will Do!; Making the Switch; Advantages of Shooting Raw; Raw Disadvantages; Proprietary and Open Raw File Formats; 2. Establishing a Raw Workflow; Establishing a Workflow That Works for You; The 'Convert Then Edit' Approach; Very Nice Thank You!
- Example Photographer 'A' - the Portrait PhotographerThe Downside of the 'Convert Then Edit' Approach; Full Raw Workflow Options; Example 'B' - The Wildlife Photographer; Hybrid Approaches; Example 'C' - The Editorial Photographer; Building Workflows upon a Firm Foundation; Ensuring Color Consistency Between Devices; Color Management, Image Quality and Workflows; Setting Up a Color-managed Workflow; Power Processing; 3. Shooting in Raw Mode; Getting Set to Shoot in the Raw; Changing Your Workflow to Accommodate; Implications for Capture Variables or Camera Parameters
- Step by step: Capturing Your First Raw Picture1. Enabling the Camera; 2. Determining Pixel Dimensions; 3. Picking Bit Depth; 4. Adjusting Color Settings - Saturation, White Balance and Color Space; 5. Managing the Tones - Contrast Control; 6. Applying Sharpening and Noise Reduction; 7. Setting the Iso; 8. Establishing Exposure; Exposure Essentials; Shooting Tethered; Raw Versus Non-raw Capture Workflow; Raw Capable Cameras; Other Considerations When Capturing Raw; 4. Downloading Raw Files; Camera to Computer; Card Reader to Computer; Fast Cards Means Fast Downloads
- Operating System-based DownloadsWindows Xp; The Microsoft Raw Image Thumbnailer and Viewer for Windows Xp; Raw-enabling Windows Vista; Installing a New Raw Codec; Transferring Files with Vista; Raw Support in Macintosh; Macintosh Step by Step; Camera-specific Download; Nikon's Download Manager; Software-specific Download; The Adobe Photo Downloader (Apd); Transfers with Apd and Photoshop Elements; Speed Up Your Elements Workflow with These Apd Special Options; A Closer Look at Adobe Photo Downloader for Photoshop Elements; A Closer Look at Adobe Photo Downloader for Bridge 2.0 (Photoshop Cs3)
- Transfers with Apd and Bridge (Photoshop Cs3)Customizing Transfers in Bridge 2.0; Earlier Versions of Photoshop and Bridge; Renaming Options in Apd; Using a Subfolder Name; Using a Custom Name; Embedding the Original Filename in the Xmp Data (Photoshop/Bridge); Adobe Photoshop Lightroom; Lightroom - Import Photos from Device; Lightroom - Import Photos from Catalog; Lightroom - Import Photos from Elements; Lightroom - Import Photos from Disk; Lightroom - Auto Import; Shooting Tethered - Capture and Download in One Step; Section Two: Core Processing; 5. Camera-Based Converters
- Camera-based Converters Software
