Beyond Photoshop advanced techniques integrating Photoshop with Illustrator, Poser, Painter, Cinema 4D and ZBrush
In his best-selling book Creative Photoshop, award-winning artist Derek Lea has already shown the digital art world how to create stunning, sophisticated works of art using Photoshop. Now, he goes one step further in this all-new book to demonstrate his unique methods for using Photoshop in conjunct...
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| Autor Corporativo: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Elsevier
2010.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627770906719 |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1: Sharp Edges and Painterly Blends; What you'll learn in this chapter; Part one: Preparing sketches; Part two: Creating a pattern; Part three: Creating the text; Part four: The woman's face and hair; Part five: Color, shading, and detail; Part six: Creating the teacup; Part seven: Adding the flowers; Chapter 2: 2D Textures and 3D Vectors; What you'll learn in this chapter; Part one: Building the background; Part two: Creating the skull; Part three: Adding an opacity mask
- Part four: Incorporating and editing Smart ObjectsPart five: Creating the walking creature; Part six: Bring the creature into Photoshop; Part seven: The first vector 3D creature; Part eight: The second vector 3D creature; Part nine: The third vector 3D creature; Other examples; Chapter 3: Live Trace and Pathfinder Effects; What you'll learn in this chapter; Part one: Devise a color strategy; Part two: Building a background; Part three: Adding birds and rays of light; Part four: Creating shapes with the Pathfinder; Part five: Incorporating shapes into the composition
- Part six: Adding the skeletonsPart seven: Other vector elements; Chapter 4: Hand-Painted Magic; What you'll learn in this chapter; Part one: Building a well-composed, photographic base; Part two: Divine proportion in Painter; Part three: Getting ready to paint; Part four: Using the Palette Knife on existing imagery; Examine your progress; Part five: Introducing transition colors with Artists' Oils; Part six: Blend paint and create colors in the Mixer palette; Part seven: Adding subtle colors and accents; Part eight: Blending with the Oil Palette Knife
- Part nine: Creating pattern assets in PhotoshopPart ten: F-X Brushes and layer masks in Painter; Part eleven: Painting with patterns; Part twelve: Blending it all together; Part thirteen: Final Painter analysis; Chapter 5: Create an Old Master; What you'll learn in this chapter; Part one: Building the background; Part two: Creating two-dimensional image components; Part three: Poser preparation; Part four: Posing against a background image; Part five: Adding a prop to the scene; Part six: Lighting and materials; Part seven: Rendering; Part eight: The figure in the fish
- Part nine: The figure in the pondPart ten: Creating the legs; Part eleven: Create the face and ear; Part twelve: Additional figures; Part thirteen: Bring the rendered figures into Photoshop; Part fourteen: Painterly effects and surface texture; Chapter 6: The Best of Both Worlds; What you'll learn in this chapter; Part one: Building a base in Photoshop; Part two: Getting set up in Cinema 4D; Part three: Working with 3D shapes; Part four: Lighting the scene; Part five: Rendering the scene; Part six: Repeating the process; Part seven: Working with spline objects
- Part eight: Returning to Photoshop
