Better location shooting techniques for shooting video
Location filming is growing in popularity with the abundance of affordable cameras. You don't need a studio, a broadcast truck, or even extensive knowledge of how to use a 16mm film camera--all you need is a digital camera, and you can take your job on the road and shoot wherever action is happ...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Focal
c2008.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627747106719 |
Tabla de Contenidos:
- Front Cover; Better Location Shooting; Copyright Page; Contents; Acknowledgements; Introduction; About the Author; Chapter 1. Location Filming Equipment; Lenses and Chips; Tripods; Power Sources; Audio; Other Points to Consider; Other Supports and Mounts; Steadicam; Polecam; Other Location Filming Equipment; Chapter 2. Setting up Location Monitors and Cameras; Pluge; Camera Gain; Setting Up Time-Code; Drop Frame Time-Code; Nondrop Frame Recording; Chapter 3. Operating Tips and Techniques; Focus Pulling Like the Pro's...; Cheating the Eyeline on Reverses When You Have a Bad Background
- Intros and Long Pieces to CameraOne Man Band...Audio...When You Only Have One Radio Mic; Dealing with Unusual Problems; Chapter 4. High-Definition Shooting; Progressive or Interlaced?; Chapter 5. Location Audio; Interview Audio; Automatic or Manual?; Microphone Choice; Microphone Positions; Coping with Wind; Personal Mics and Wind Noise; Headphones; Buzz Tracks; Voice-Overs on Location; Digitizing Audio into Hard Disk Units; Radio Transmitters Near or on Water; Chapter 6. Interview Shooting Techniques; Setting Up Camera Height; Distance from Subject to Lens; Add Some Shallow Depth of Focus
- Shot SizesBackgrounds Matter; General Interior Interview Setup; Chapter 7. Shooting Sequences; Firstly, Where Would Sequences Be Used?; What is the Best Way to Shoot a Sequence?; Why Do We Need Separate Takes of the Same Action from Different Angles?; Why Use Different Sized Shots?; Do I Need to Shoot Multiple Wide Shots?; How Do I Know My Shots Will Edit?; Do I Need the Audio to be Exactly the Same on Every Different Take?; What Cutaways Do I Need?; How Much Tape/footage Should I Shoot?; Chapter 8. Shooting for the Edit; Single Camera Techniques for Making the Edit Go Smoothly
- Edit Your Own Rushes...At Least OnceVideo Editor's Forum; Chapter 9. Location Lights; Smaller Lights - 120 to 300 W; Lights from 200 to 400 W; 600 W to 1 kW Lamps; Arri HMI Range; Soft Lights for Location Work; Lighting Glossary; Chapter 10. Choosing Video Lights and Specialist Lights; How many Lights Will I Need to Take with Me on Regular Filming Jobs?; What is the Maximum Size Light and Minimum Size Light I Need?; Choosing Which Wattage Light You Need; Specialist Lights; What Lighting Accessories Do I Need?; How Bright is the Existing Location and Scene Before Putting Up Video and Film Lamps?
- ReflectorsHMI Lights; How Large an Area Has to Be Lit and How Many People?; Exterior or Interior; How Many Cameras are Being Used?; Direct Lights or Soft Lights?; Can the Lights be Set Up Safely and Run Throughout the Day Without Causing Any Danger to Any One Working Or Moving Through the Nearby Area, and Do I Have an Assistant to Help Me?; Is there any Power in the Location I Can Use?; Safety and Lighting; Chapter 11. Location Lighting Tips and Setups; Creating and Lighting Better Backgrounds; Soft Light Techniques; Soft Light Options for Location Work; Bounced Soft Light
- Lighting an Interior Scene from Outside
