Special make-up effects for stage & screen making and applying prosthetics
In the world of film and theatre, character transformation takes a lot of work, skill, and creativity...Dedicated solely to SFX, this book will show you tips and techniques from an seasoned SFX makeup artist with years of film, TV, and theatrical experience. Not only will this book take you through...
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| Format: | eBook |
| Language: | Inglés |
| Published: |
Amsterdam ; Boston :
Elsevier
2009.
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| Edition: | 1st edition |
| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627727206719 |
Table of Contents:
- Special Makeup Effects for Stage and Screen: Making and Applying Prosthetics; Copyright; Contents; FOREWORD; ACKNOWLEDGMENTS; PREFACE; CHAPTER 1The Industry; Introduction; Sidebar - Neill Gorton; Sidebar - Jamie Salmon; Stage vs. Screen; Contributions from Medicine; The Workspace; Safety and Health; Sidebar - Matthew W. Mungle; Professionalism; Your Portfolio; Your Kit; Chapter Summary; CHAPTER 2Anatomy and Design; Introduction; Using the Computer; Sidebar - Brian Wade; Sidebar - Miles Teves; Elements of the Design; Body Types; The Human Body; The Skeletal System; Sidebar - Jordu Schell
- The Skeleto-Muscular SystemSurface Anatomy; The Eyes, Ears, and Nose; The Mouth; The Skin; Symmetry and Proportion; Anatomical Planes; Facial Ratios and Phi; Ratios and Body Proportions; Geometric Analysis; Distinctions of Gender, Age, and Ancestry; Distinctions of Gender; Distinctions of Age; Distinctions of Ancestry; Chapter Summary; CHAPTER 3Making the Lifecast; Introduction; Sidebar - David Parvin; Safety Risks; Sidebar - John Schoonraad; The Materials; The Process; Overview; Teeth; Face and Neck; Bust: Head and Shoulders; Hands, Arms, Legs, Feet, and Ears; Hands and Arms; Legs and Feet
- EarsFull Body; Full Body: Prone; Full Body: Standing; Chapter Summary; CHAPTER 4Sculpting the Makeup; Introduction; Materials; Sideber - Mark Alfrey; Preparing the Positive; Tools; Clay; Reference Photos; Teeth; Materials; Sculpting the Face; Blocking the Sculpture; Refining the Sculpture; Sculpting the Face, Head, and Neck; Blocking the Sculpture; Sculpting Hands; Blocking the Sculpture; Sculpting Ears; Blocking the Sculpture; Chapter Summary; CHAPTER 5Breakdown of the Sculpture; Introduction; Sideber - Kevin Kirkpatrick; Tools and Materials; Release Agents and Sealers
- Making the Negative MoldKeys, Flashing, and Cutting Edges; Building the Clay Wall; Building a Different Clay Wall; Stone (Gypsum) Molds; Other Types of Molds; Silicone Rubber Molds; Matrix Molds; Fiberglass Molds; Fillers; Resin Molds; Urethane Molds; Chapter Summary; CHAPTER 6Casting the Appliances; Introduction; Sidebar - David Elsey; Silicone: Platinum and Tin RTV; Coloration; Materials; De-airing/Degassing Silicone; Gel-Filled Silicone Appliances; Filling the Mold; Injection Filling; Hand Filling; Removing the Appliance; Foam Latex; Materials; Quirks; Running Foam Latex; Prepping the Mold
- Filling the MoldHeat-Curing Foam; Removing the Appliance; Cold Foam (Urethane); Materials; Quirks; Prepping the Mold; Filling the Mold; Removing the Appliance; Gelatin and Foamed Gelatin; Materials; Quirks; Filling the Mold; Removing the Appliance; Dental Acrylic; Materials; Filling the Mold and Removing the Appliance; Seaming and Painting Silicone Appliances; Seaming and Patching; Painting the Appliance; Sidebar - Mark Garbarino; Painting Teeth; Chapter Summary; CHAPTER 7Applying the Makeup Appliance; Introduction; sidebar - christopher tucker; Skin Types; Adhesives; Application Techniques
- Attaching the Appliance
