Fix it in post solutions for post production problems

This book provides an array of concise solutions to the wide variety of problems that are faced by postproduction artists in the post process. With an application-agnostic approach, it gives proven, step-by-step methods to solving the most frequently encountered postproduction problems. Solutions ar...

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Detalles Bibliográficos
Autor principal: James, Jack, 1977- (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Amsterdam ; Boston : Focal Press c2009.
Edición:1st edition
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627650306719
Tabla de Contenidos:
  • Cover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Chapter 1 Introduction; The Beginning of the End; The Myth of Digital Magic; The Substitute Time Machine; About This Book; Who This Book Is For; How This Book Is Organized; Contacting the Author; Chapter 2 Essential Techniques; The Software Toolbox; Picture Manipulation; Number Crunching; Painting; Cloning; Layering; Masking; Keying; Tracking; Color Correcting; How to Create a Difference Matte; Audio Manipulation; Sequencing; Filtering; Dynamic Adjustment; Transcoding; The Hardware Toolbox; Input Devices; Output Devices
  • StoragePerformance; The Visual Toolbox; Chapter 3 Fixing Lens Problems; Lens Distortion; How to Correct Barrel or Pincushion Distortion; Vignettes; How to Add a Vignette; How to Remove a Vignette; How to Remove Camera Shake; How to Add Camera Shake; How to Smooth Unsteady Shots; Focus; Digital Sharpening; How to Repair Out-of-Focus Shots; Color Fringing; How to Remove Color Fringes; Lens Flare; How to Remove Lens Flare; Simulating Camera Filters; Chapter 4 Fixing Video Problems; Frames, Fields, and GOPs; How to De-interlace Footage; How to Interlace Footage; How to Correct Field Dominance
  • How to Remove Stretched FieldsHow to Remove Drop-out; How to Reduce Ringing; How to Convert Video Formats; How to Make Video Look Like Film; Chapter 5 Fixing Film Problems; Film Damage; How to Bust Dust; How to Remove Mold and Watermarks; How to Remove Tramlines; How to Correct Frame Registration; How to Repair Splice Damage; How to Remove Film Gates; Film Grain; How to Reduce Film Grain; How to Add Grain; Emulating Video; How to Make Film Look Like HD Video; How to Emulate Cell Phone Video; How to Emulate Security Camera Video; Chapter 6 Fixing Digital Problems; Digital Corruption
  • How to Fix Pixel CorruptionDigital Artifacts; How to Anti-Alias Pixels; How to Reduce Noise; How to Reduce Banding; Compression; Color Sampling; Compression Damage; How to Work with Multiple Formats; Outputting to Different Formats; How to Produce Stills for Print; Chapter 7 Fixing Audio Problems; Digital and Analogue Audio; Anatomy of Digital Audio; How to Get Consistent Volume; How to Retime Audio; How to Correct Sync Issues; How to Reduce Audible Noise; How to Remove Pops and Clicks; Stereophonic and Multichannel Audio; How to Get Stereo from Mono; How to Get Surround Sound from Stereo
  • How to Automate Dialogue ReplacementHow to Ensure Audio Continuity; Chapter 8 Fixing Color Problems; Clipping and Crushing; How to Correct Exposure Issues; Color Space; How to Legalize Colors; How to Enhance Tone and Contrast; How to Enhance Highlights and Shadows; Color Temperature; How to Remove Color Casts; Black and White; How to Turn Color into Black and White; How to Bleach Bypass; How to Cross Process; How to Blue-Green Transfer; How to Boost Vibrance; How to Turn Day into Night; Chapter 9 Fixing Compositional Problems; The Crop; The Letterbox; Digital Scaling
  • How to Use High-Quality Scaling