The producer's business handbook
The Producer's Business Handbook provides a model for making a successful business of independent filmmaking. It will give you a comprehensive understanding of the business of entertainment and supply you with the information and tools you'll need to successfully engage all related aspects...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Mass. :
Focal Press
2006.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627623906719 |
Tabla de Contenidos:
- Cover; The Producer's Business Handbook; Copyright; Contents; Foreword; Introduction; Chapter 1 How the Motion Picture Industry Functions; Major Participant Categories and Their Functions; Chapter Postscript; Chapter 2 U.S. Theatrical Distributors; The Major and Minor Distributors; Studio Integrity; The Three Studio Arenas; Studio Relationships with Independent Producers; Producer Relationship Comparisons; Share Analysis Review; Split Negative Pickup Relationships; Studio Acquisition of a Renegade Picture; Chapter Postscript; The Critical Effect of U.S. Studio Attachment
- Chapter 3 International TerritoriesThe Global Popularity of American Motion Pictures; Producer Relationships with International Distributors; Establishing New International Distribution Relationships; Nurturing the Relationship; International Territory License Timing; License Documentation; Managing Global Relationships; International Trends; Chapter Postscript; Chapter 4 Ancillary Markets and Rights; The Effect of Theatrically Released Motion Pictures on Other Windows; Audience Sizes in Major Windows; Ancillary Audience Characteristics; Producers Rely on Ancillary Earnings
- The First Ancillary Window: Video DistributionThe Second Ancillary Window: Premium Cable Television; The Third Ancillary Window: Network or Cable Television Premiere; The Fourth Ancillary Window: Free Television Syndication; Other Ancillary Rights; Chapter Postscript; Chapter 5 Entertainment Banking; The Banking Business; Basis of Lending Decisions; The Loan Approval Process; Production Financing Worksheet; Types of Loans; Gap Financing; When to Approach the Bank; Chapter Postscript; Chapter 6 Completion Guarantors; What Completion Guarantees Do
- Producers' Perceived and Real Value of Completion GuarantorsCompletion Insurance Relationships; The Completion Bond Package; Completion Insurance Cost; Chapter Postscript; Chapter 7 Attorneys, Negotiations, and Entertainment Law; Attorneys and Their Firms; Producers Performing as Attorneys; Negotiating; Vital Legal Aspects Relating to the Story; Deal Memos, Letter Agreements, and Long Form Contracts; The Benefits Associated with the Producer Preparing Deal Documentation; Deal Reviews; The Attorney as Counsel; Dispute Resolutions; Chapter Postscript; Chapter 8 Talent, Agents, and Agencies
- The Relationship EvolutionMeetings with Talent and Agents; Attorneys as Agents; Planning the Deal; Development Negotiation; Points Participation; Preparation of a Fair Deal; Agents as Creative Resources; Talent Reserve; The Participation of the Producer's Attorney; Chapter Postscript; Chapter 9 Development, Production, and Producing Company Structures; The Power of Company Structure; The Companies; Company Interrelationships; Development Company Financing; Securities; Forms of Companies; Chapter Postscript; Chapter 10 Development Financing; The Essential Power of Funded Development
- Development Funding Sources
