The art of recording understanding and crafting the mix
The Art of Recording articulates and explores the ways recorded sound is different from live sound, and how those differences can enhance music, including surround sound. It presents a system for developing the critical and analytical listening skills necessary to recognize and understand these soun...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Boston, Mass. :
Focal Press
2002.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627451606719 |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Table of Contents; List of Exercises; Foreword by Rupert Neve; Preface; Acknowledgments; Introduction; Part 1: Understanding Sound and the Aesthetic Qualities of Audio Recordings; Chapter 1. The Elements of Sound and Audio Recording; The States of Sound; Physical Dimensions of Sound; Perceived Parameters of Sound; Summary; Chapter 2. The Aesthetic and Artistic Elements of Sound in Audio Recordings; The States of Sound and the Aesthetic/Artistic Elements; Pitch Levels and Relationships; Dynamic Levels and Relationships
- Rhythmic Patterns and Rates of ActivitiesSound Sources and Sound Quality; Spatial Properties: Stereo and Surround Sound; Conclusion; Exercises; Chapter 3. The Musical Message and the Listener; The Musical Message; Musical Form and Structure; Musical Materials; The Relationships of Artistic Elements and Musical Materials; Equivalence and the Expression of Musical Ideas; Text as Song Lyrics; The Listener; Conclusion; Exercises; Part 2: Developing Listening and Sound Evaluation Skills; Chapter 4. Listening and Evaluating Sound for the Audio Professional
- Why Audio Professionals Need to Evaluate SoundTalking About Sound; The Listening Process; Personal Development for Listening and Sound Evaluation; Summary; Exercises; Chapter 5. A System for Evaluating Sound; System Overview; Sound Evaluation Sequence; Graphing the States and Activity of Sound Components; Plotting Sources Against a Time Line; Summary; Exercises; Chapter 6. Evaluating Pitch in Audio and Music Recordings; Analytical Systems; Realizing a Sense of Pitch; Recognizing Pitch Levels; Pitch Area and Frequency Band Recognition; Melodic Contour; Exercises
- Chapter 7. Evaluating Loudness in Audio and Music RecordingsReference Levels and the Hierarchy of Dynamics; Program Dynamic Contour; Musical Balance; Performance Intensity versus Musical Balance; Exercises; Chapter 8. Evaluating Sound Quality; Sound Quality in Critical Listening and Analytical Listening Contexts; Sound Quality and Perspective; Evaluating the Characteristics of Sound Quality and Timbre; Summary; Exercises; Chapter 9. Evaluating the Spatial Elements of Reproduced Sound; Understanding Space as an Artistic Element; Stereo Sound Location; Distance Localization
- Environmental CharacteristicsSpace Within Space; Surround Sound; Exercises; Chapter 10. Complete Evaluations and Understanding Observations; The Overall Texture; Relationships of the Individual Sound Sources and the Overall Texture; The Complete Evaluation; Summary; Exercises; Part 3: Shaping Music and Sound, and Controlling the Recording Process; Chapter 11. Bringing Artistic Judgment to the Recording Process; Part 3 Overview; The Signal Chain; Guiding the Creation of Music; Summary; Chapter 12. The Aesthetics of Recording Production; The Artistic Roles of the Recordist
- The Recording and Reality: Shaping the Recording Aesthetic
