PC audio editing broadcast, desktop and CD audio production
PC Audio Editing is an essential guide for anyone wishing to make audio productions for use as recordings, or for broadcast, using a Windows PC and material acquired both in the studio and via portable equipment.Even those experienced with editing and mixing using quarter inch tape can find the chan...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Focal Press
2003.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627441106719 |
Tabla de Contenidos:
- PC Audio Editing: Broadcast, desktop and CD audio production; Copyright; Contents; Foreword; Preface; 1 Visual editing; 2 Some technical bits; 2.1 Loudness, decibels and frequencies; 2.2 Hearing safety; 2.3 Analogue and digital audio; 2.4 Time code; 3 Hardware and software requirements; 3.1 PC; 3.2 Sound card; 3.3 Loudspeakers/headphones; 3.4 Hard disks; 3.5 Universal serial bus; 3.6 Firewire; 3.7 Audio editors; 3.8 Linear editors; 3.9 Non-linear editors; 3.10 Multitrack; 3.11 Audio processing; 3.12 Mastering; 3.13 CD recording software; 3.14 DVD; 3.15 MIDI; 3.16 Control surface; 4 Recording
- 4.1 Responsibilities4.2 Interviewing people; 4.3 Documentary; 4.4 Oral history interviews; 4.5 Interviews on the move; 4.6 Recorders; 4.7 Acoustics and microphones; 4.8 Multitrack; 5 Transfer; 5.1 Reviewing material; 5.2 Head alignment; 5.3 Digital; 5.4 Analogue; 5.5 Recording; 6 Editing; 6.1 Introduction; 6.2 Loading a file; 6.3 Making an edit; 6.4 Visual editing; 7 Quarrying material; 7.1 Introduction; 7.2 Blue bar blues; 7.3 Copy, cut and paste; 8 Structuring material; 8.1 Standardize format; 8.2 Batch files; 9 Multitrack; 9.1 Loading; 9.2 Pan and volume; 9.3 FX tracks
- 9.4 Multitrack for a simple mix9.5 Chequerboarding; 9.6 Fades and edges; 9.7 Prefaded and backtimed music; 9.8 Transitions; 9.9 Multitrack music; 10 Production; 10.1 Introduction; 10.2 Types of programme; 10.3 Talks; 10.4 Illustrated talks; 10.5 Magazine programmes; 10.6 Magazine items; 10.7 Simple features; 10.8 Multi-layer features; 10.9 Drama; 10.10 Music; 11 Post-production; 11.1 Timing; 11.2 Level matching; 11.3 Panning; 11.4 Crossfading; 11.5 Stereo/binaural; 11.6 Surround sound; 11.7 Multi-layer mixing; 12 Audio design; 12.1 Dangers; 12.2 Normalization; 12.3 Compression/limiting
- 12.4 Expanders and gates12.5 Reverberation and echo; 12.6 Equalization; 12.7 Noise reduction; 12.8 Spatial effects; 12.9 Special transforms; 12.10 Time/pitch; 12.11 Multitrack effects transforms; 13 Reviewing material; 13.1 Check there are no missed edits; 13.2 Assessing levels; 13.3 Listening on full quality speakers; 14 Mastering; 14.1 Line-up and transmission formats; 14.2 Generate silence; 14.3 Generate noise; 14.4 Generate tones; 14.5 Changeovers; 14.6 Mastering process; 14.7 CD labelling; 14.8 Email and the World Wide Web; 14.9 Analytical functions; 15 CD burning; 15.1 Types of CD
- 15.2 Audio CDs15.3 Multi-session CDs; 15.4 Rewritable CDs; 15.5 CD recording software; 15.6 Recording codes; 16 Archiving; 16.1 Selection for archiving; 16.2 Compact disc; 16.3 CD-ROM; 16.4 DAT; 16.5 Analogue; 16.6 Computer backup; 17 Tweaks; 17.1 Mouse options; 17.2 Hardware controller; 17.3 Keyboard shortcuts; 17.4 MIDI triggering; 17.5 SMPTE/EBU synchronization; 17.6 Favorites; 17.7 Settings; 17.8 Device properties; 17.9 Help; 17.10 Icons; Appendix 1Time code; Appendix 2Clicks and clocks; Appendix 3 Midi; Glossary; Index
