Guide to postproduction for TV and film managing the process
Are you an associate producer who needs to juggle projects and vendors while keeping on top of the latest trends and formats? Or an independent filmmaker who can't afford a misstep in the crucial postproduction phase? Take a step back and get a clear overview of the process. This guide will sho...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Mass. :
Focal Press
2013.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627421206719 |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Contents; Acknowledgments; Introduction; 1 Scheduling; Creating a Postproduction Schedule; Elements of the Postproduction Schedule; Principal Photography; Dailies; Second Unit Photography; Editor's Cut; Director's Cut; Producer's Cut; Temporary On-Line/Temporary Dub; Network/Studio View; Picture Lock; Opticals/Simple Visual Effects; Theatrical Test Screenings; Negative Cut; On-Line/Assembly Edit; Answer Print; Spotting Music and Sound Effects; ADR/Looping; Scoring; Color Correction; Prelay/Predub; Titling; Print Before First Trial; Mix/Dub
- Fully-Formatted Dupe and Answer PrintInterpositive (IP); Internegative (IN); Composite Answer Print; Release Prints; Delivery Duplication/Air Masters; Delivery; Air Date; Overnight Ratings; Summary; Scheduling Samples; Television vs. Theatrical Features; 2 Budgeting; Getting Started on Your Budget; A Carefully Planned Nightmare; Areas to Budget; Understanding Costs and Bids; Purchase Orders; Sample Budget; A Sample Budget; Film and Lab Production; 3700 Film and Lab Production; 3710 Raw Film Stock; 3712 Develop Dailies; Video Production; 3800 Video Production; 3814 Videocassette Dailies
- Second Unit4000 Second Unit; Photographic Effects and Inserts; 4400 Photographic Effects and Inserts; Editorial and Projection; 4500 Editorial and Projection; 4501 Editor/4502 Assistant Editor; 4503 Apprentice Editors; 4505 Sound Effects Editor and Assistant; 4506 Music Editor and Assistant; 4511 Film Coding; 4512 Script Continuity; 4513 Foreign Delivery Requirements; 4514 Screen Dailies/Projection; 4516 Purchases and Supplies; 4517 Cutting Room and Equipment Rental; 4550 Film Shipment; 4585 Miscellaneous Expenses; Music; 4600 Music; 4601 Composer; 4602 Orchestrators; 4603 Copyists
- 4604 Musicians-Score or Prescore4608 Singers; 4609 Orchestra Contractor; 4628 Studio Time; 4646 Music Rights and Licenses; 4647 Rental Instruments/Cartage; Postproduction Sound; 4700 Postproduction Sound; 4711 Sound Transfer; 4712 Magnetic Film; 4713 Looping and Narration; 4714 Foley; 4715 Sound Effects Recording; 4717 Optical Sound Track; 4722 Dubbing; 4724 Foreign Delivery Requirements; Film Laboratory and Postproduction; 4800 Film Laboratory/Postproduction; 4824 Negative Cutter; 4828 Answer Print; 4831 Picture Leader; Titles and Opticals; 4900 Titles and Opticals; Video Postproduction
- 5000 Video Postproduction5001 Video Editing (Off-Line/On-Line); 5002 Color Correction/Telecine Video Transfer; 5003 Video Labor and Material; 5004 Video-Network Requirements; 5014 Video Stock Purchases; 5020 Satellite Transmission Charges; 5100 Stock Footage; Fringe Benefits-Postproduction; 5200 Fringe Benefits-Postproduction; The Rules of Thumb; 3 Digital TV and High Definition; The FCC's Plan; Digital Television Highlights; Our NTSC Broadcast System; MPEG2 Compression; High Definition TV; Interlace; Progressive; 24p; Digital Broadcast; And the Answer Is; 4 The Film Laboratory
- Motion Picture Film Formats
