PC audio editing with Adobe Audition 2.0 broadcast, desktop and CD audio production
Get up to speed quickly and gain the working knowledge you need with this clear, practical guide to Adobe®'s AuditionT 2.0. With Roger Derry's expert advice, you'll master Audition's basic tools and tricks as well as discovering it's more advanced editing, multitrack and pro...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford ; Burlington, Mass. :
Focal Press, an imprint of Elsevier
2006.
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| Edición: | 3rd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627390506719 |
Tabla de Contenidos:
- PC Audio Editing with Adobe Audition 2.0: Broadcast, desktop and CD Audio Production; Copyright; Contents; Foreword; Preface; 1 Visual editing; 2 Some technical bits; 2.1 Loudness, decibels and frequencies; 2.2 Hearing safety; 2.3 Analog and digital audio; 2.4 Time code; 3 Transfer; 3.1 Reviewing material; 3.2 Head alignment; 3.3 Digital; 3.4 Analog; 3.5 Recording; 4 Editing; 4.1 Introduction; 4.2 Loading a file; 4.3 Transport; 4.4 Making an edit; 4.5 Visual editing; 5 Quarrying material; 5.1 Introduction; 5.2 Blue bar blues; 5.3 Copy, cut and paste; 6 Structuring material
- 6.1 Standardize format6.2 Batch files; 6.3 32-bit files; 7 Multitrack; 7.1 Loading; 7.2 Tour; 7.3 FX; 7.4 Automation; 7.5 Envelopes; 7.6 Multitrack for a simple mix; 7.7 Chequer boarding; 7.8 Track bouncing; 7.9 Fades and edges; 7.10 Prefaded and backtimed music; 7.11 Transitions; 7.12 Multitrack music; 7.13 MIDI and video; 7.14 Loops; 8 Post-production; 8.1 Timing; 8.2 Level matching; 8.3 Panning; 8.4 Cross fading; 8.5 Stereo/binaural; 8.6 Surround sound; 8.7 Multi-layer mixing; 9 Audio design; 9.1 Dangers; 9.2 Normalization; 9.3 Basic level adjustment; 9.4 Compression/limiting
- 9.5 Expanders and gates9.6 Multiband compressor; 9.7 Reverberation and echo; 9.8 Filters; 9.9 Restoration; 9.10 Special effects; 9.11 Time/pitch; 9.12 Spatial effects; 9.13 Basic effects; 9.14 Multitrack effects; 9.15 Real-time controls and effects; 10 Reviewing material; 10.1 Check there are no missed edits; 10.2 Assessing levels; 10.3 Listening on full quality speakers; 11 Mastering; 11.1 Line-up and transmission formats; 11.2 Generate silence; 11.3 Generate noise; 11.4 Generate tones; 11.5 Changeovers; 11.6 Mastering process; 11.7 CD labelling; 11.8 Email and the World Wide Web
- 11.9 Analytical functions11.10 Spectral editing; 12 CD burning; 12.1 Types of CD; 12.2 Audio CDs; 12.3 Multi-session CDs; 12.4 Rewritable CDs; 12.5 CD recording software; 12.6 Recording codes; 13 Making programmes: acquiring material; 13.1 Responsibilities; 13.2 Interviewing people; 13.3 Documentary; 13.4 Oral history interviews; 13.5 Interviews on the move; 13.6 Recorders; 13.7 Acoustics and microphones; 13.8 Multitrack; 14 Making programmes: production; 14.1 Introduction; 14.2 Types of programme; 14.3 Talks; 14.4 Illustrated talks; 14.5 Magazine programmes; 14.6 Magazine item
- 14.7 Simple feature14.8 Multi-layer feature; 14.9 Drama; 14.10 Music; 15 Archiving and backup; 15.1 Selection for archiving; 15.2 Compact disc; 15.3 CD-ROM; 15.4 Digital Audio Tape; 15.5 Analog; 15.6 Computer backup; 16 Tweaks; 16.1 Mouse options; 16.2 Hardware controller; 16.3 Keyboard shortcuts; 16.4 MIDI triggering; 16.5 SMPTE synchronization; 16.6 Favorites; 16.7 Preferences (F4); 16.8 Icons; 17 Using the CD-ROM; 17.1 Adobe Audition; 17.2 Bonus material; 18 Hardware and software requirements; 18.1 PC; 18.2 Sound card; 18.3 Loudspeakers/headphones; 18.4 Hard disks; 18.5 USB; 18.6 Firewire
- 18.7 Audio editor
