Pro Tools 8 Pro Tools for film and video
This is a step by step guide for editing sound to picture using Pro Tools, starting by explaining the Pro Tools systems the author does a great job covering all key audio topics including the equipment, sound, music, effects, output and mixing tools. The book is for professional sound engineers and...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press/Elsevier
c2009.
|
| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627377906719 |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Table of Contents; Introduction; The Kodak 35 mm Project - "Loves Devotion Forever"; About Pro Tools 8; About the Web site; Chapter 1 Pro Tools systems; 1.1 The audio interface: M-Powered, LE, and HD; 1.2 The video interface; Video playback from QuickTime; 1.3 Machine control and the SYNC HD; Using the SYNC HD (or older USD); Video playback via machine control; Locking picture to Pro Tools; Using alternate sync references; 1.4 SYNC HD connections on synchronized HD systems; 1.5 Configuring the Peripherals window; 1.6 Configuring the Session Setup window
- Session startThe clock source and Sync Setup; Timecode settings; Pull-up and Pull-down; 1.7 MIDI interface; Ethernet control; 1.8 Data storage; 1.9 I/O Setup; 1.10 Studio design; Basic acoustics; Speaker placement; 1.11 Dolby Pro Logic 5.1 playback; 1.12 Isolation; Ergonomics and equipment; Audio monitors; Tuning the audio monitors; Video monitors; The garage studio; 1.13 Systems used on "Loves Devotion Forever"; Chapter 2 Audio workflow; 2.1 Pull-up and pull-down workflows when shooting on film; Film to NTSC pull-down; Film to PAL pull-down; 2.2 Production recording
- 2.3 Transferring dailies with or without pull-downManaging an audio edit decision list; Analog recordings with pilot; DAT production audio; Digital tapeless systems; Pulling down in Pro Tools; 2.4 Exporting the locked cut to Pro Tools; 2.5 Importing the audio from the picture edit, OMF versus EDL; Changes to the locked cut; 2.6 Timestamping; 2.7 Portability; Portable systems; 2.8 Workflow on "Loves Devotion Forever"; Chapter 3 Editing Tools and the Pro Tools Interface; 3.1 The edit window; Timecode display; Slip mode; Spot mode; Shuffle mode; Grid mode; 3.2 Memory locations; 3.3 The tools
- The three edit toolsThe Smart Tool; Keyboard Tools; Keyboard Focus - Link Timeline and Edit Selection selectors; The Nudge command; 3.4 Editing to video; The Pencil tool; Scrolling; 3.5 The mix window; Chapter 4 Plug-ins; 4.1 Types of plug-ins; 4.2 Video tools; DV Toolkit 2; Music Production Toolkit; 4.3 Reverbs and convolution reverbs; Digital Reverbs; TrueVerb; Reverb One; Convolution Reverbs; TL Space; Altiverb; Waves IR-1 Parametric Convolution Reverb; Waves IR-360 Parametric Convolution Reverb; 4.4 Futzing plug-ins; SpeakerPhone; D-Fi; Cosmonaut Voice; Trash by isotope
- 4.5 Surround sound toolsDolby Surround Tools; SurCode for Dolby Pro Logic II and Neyrinck SoundCode for Dolby Digital and DTS; Waves 360° Surround Bundle; ALR (Audio Research Labs) Sound Stage; SurroundScope; 4.6 Sound design; Pitch shifters and time expansion and compression; SoundToys TDM; Eventide Anthology II Bundle; ELS Vocoder - Orange Vocoder; The Usra Major Space Station SST-282 by Princeton Digital; 4.7 Noise reduction and restoration; CEDAR Tools; DINR; Waves Z Noise; reNOVAtor by Algorithmix; Waves Restoration Bundle; 4.8 Utilities; Source Connect; Virtual Katy; ADR Studio
- Chapter 5 Dialogue editing and replacement
