Color correction for video using desktop tools to perfect your image
Use color to improve your storytelling, deliver critical emotional cues, and add impact to you videos. This book shows you how to analyze color correction problems and solve them- whatever NLE or plugin you use. Experienced editors and colorists in their own right, the authors also include the wisdo...
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Elsevier/Focal Press
c2009.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627376606719 |
Tabla de Contenidos:
- Cover; COLOR CORRECTION FOR VIDEO; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Chapter 1 Getting Started with Color Correction; Quick Start; The Goals of Color Correction; Spreading the Tonal Range; Balancing the Colors; Conclusion; Chapter 2 Analyze This-Your Monitor; Monitor Environment; The Eyes Have It; Setting Up Your Computer Monitors; Calibrating Your Video Monitors; Alternative Methods for Video Monitor Calibration; Chapter 3 Using Scopes as Creative Tools; Choosing Your Scope; Waveform Monitor; Chip Chart and Waveform Monitor
- Proper Levels for Each Tonal RangeA Wave of Waveforms; Vectorscope; A Diamond in the Rough; Summary; Chapter 4 Other Methods to Analyze Footage; Info Palettes and Other Numeric RGB Readouts; Histograms; Chapter 5 Colorists' Tools-Primary Color Correction; Tonality Rules! (Or Colors Drool); Hammer and Saw of Color Correction; Basic Black; Throw Caution to the Wind; Back to Black; Value of 100IRE; How to Get to 100; Math Class; Gamma Quadrant; In or Out; Tool Time; Level Playing Field; Hue and Hue Offset; Luma Ranges; Curves; The Basics of Curves; Precision Control When You Need It Most
- Chapter 6 Secondary Color CorrectionVector-Based Secondaries; Secondary Limitations; Vignettes or Spot Color Corrections; Unqualified Use of Secondaries; Summary; Chapter 7 Tutorials; In the Dark-Improperly Exposed Video; Bright and Flat; Casting for Colors; On the Fence; That's Blue-And I'm Not Lion; Summary; Chapter 8 Advanced Color Correction Tutorials; Matching Colors at the Art Institute; Rosy Cheeks; Day for Night; Creating Looks; The Importance of Story; Creating Story Looks; Other Cool Looks; Apple Color's Color FX Room; More Experiments; Chapter 9 The History and Role of the Colorist
- Video-to-Video Color CorrectionTelecine Color Correction; From Color Corrector to Colorist; Datacine and DI; Diplomacy and Client Skills; The Future; Chapter 10 Vision and Color Theory; The Science of Color; It's All in Your Head; Source Light; Modifiers; Detectors; How Eyes Work; The Two Kinds of Vision; Perception; Color Dynamics; Viewing Environment; Adaptive White Points and Chromatic Adaptation; Surround Types; Additive and Subtractive Color; Color Spaces; Space versus Gamut-What's the Difference?; Stimulus-Specific Color Space; Device-Dependent Color Space; Video Color Spaces; Bit Depth
- Beyond the 8-Bit StandardSubsampling; Chapter 11 Built-in Software and Plug-in Capabilities; Adobe Premiere and After Effects; Avid; Color; Color Finesse; Final Cut Pro; Plug-Ins; GenArts; Bibliography; Index
