Film technology in post production
An easy to follow, quick reference introductory guide for beginning professionals and students in filmmaking and postproduction. It explains all film laboratory procedures in the context of the wide range of technology that is used by filmmakers, explaining what happens and why at every stage. A tec...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford ; Boston :
Focal Press
2001.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627316706719 |
Tabla de Contenidos:
- Film Technology in Post Production; Copyright; Contents; Preface to the Second Edition; Film Technology in Context; Introduction; Origins of Film and Video; Video; Digital imaging; Film and Video: the Differences; Intermittent movement; Frame rate; Resolution; Contrast; Aspect ratio; Film Versus Video - or Film with Video; Digital Film; Digital image capture; Digital post production; Digital cinema; Post Production Pathways; Film Versus Video Production; Image quality; Production style; Production costs; Preservation; Traditional Sprocket Edit, Film Finish; Non-linear Edit, Film Finish
- Pos conformNon-linear Edit, Video Finish; Flat or compressed grade; Select negative and retransfer; Supervision; Lab liaison; Post production supervisor; Lab Estimates; Negative processing, tests, push processing; Extraction of takes, or preparation for telecine; Work print (one-light or graded); Telecine transfer; Negative logging; Titles and optical effects; Duplication; Answer print; Insurance, Liability, Troubleshooting Tests; Laboratory liability; Troubleshooting; Film Stock; 35 mm Film; Perforations; Aspect ratio; 16 mm Film; 16 mm; Super 16; Types of Colour Film Stock
- Camera negative filmsColour reversal films; Print film; Intermediate film stocks; Black and White Film Stocks; Black and white prints; Black and white duplicating stocks; Other black and white stocks; Film Processing; Additive and Subtractive Colour; Colour vision: additive colour; Subtractive colour mixing: filters and dyes; Colour Specification and Perception; The Photographic Emulsion; Film Emulsion Layers; Integral masking; Developing the Image; Black and white development; Colour development; The Processing Sequence; Backing removal; Colour positive sound redeveloper; Drying
- Process Control StandardsTests and comparisons; Units of Density; Logarithmic scales; Log E; Density; Gamma; Gamma in film systems; Gamma in video images; Gamma in digital images; Contrast and Latitude; Graininess; Black and White Negative; Black and white processing; Processing instructions; Pushing and Flashing; Flashing; Cross-processing; Bleach Bypass (Negative); Colour negative; Intermediates; Alternative Styles of Print; Bleach bypass and silver retention; High-contrast print stocks; Dye transfer prints; Film Printing; The Film Printing Machine; Contact printers; Optical printers
- Colour Correction in PrintersPrinter control; Film Grading Techniques; Film Grading for Answer Print; Grading corrections; LAD Exposure and Grading Line-up; Film Cleaning; Particle transfer rollers; Ultrasonic cleaners; Clean-up Processes; Rewashing; Hand cleaning; Spotting; Electronic solutions; Wet Gate Printing; Limitations of wet gate printing; Work Prints: Negative Reports; Work Prints: Selecting and Screening; Selected takes; 'One-light' or graded work prints; Grey-scale cards; Technical Problems at Rushes; Sparkle; Negative scratches; 'Green' negative; Positive scratches; Fogging
- Old negative stock
