Audio postproduction for digital video
New to this edition:* Learn how many Hollywood techniques--previously impractical on video--can help solve problems on smaller productions* Expanded cookbook recipes section* Technically updated throughoutMake your soundtracks as good as your pictures with this compendium of professional audio techn...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
San Francisco, CA :
CMP Books
c2002.
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| Edición: | 2nd ed |
| Colección: | DV expert series.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627265906719 |
Tabla de Contenidos:
- FRONT COVER; AUDIO POSTPRODUCTION FOR FILM AND VIDEO; COPYRIGHT PAGE; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER 1 Vibrations to Volts to Bits; A Tree Falls in a Forest...; How Sound Works; Pressure to Voltage and Back; Digital Audio; Digital vs. Analog; CHAPTER 2 The Studio: Acoustics and Monitoring; Facility Goals; Acoustics; Monitoring; CHAPTER 3 The Studio: Equipment and Wiring; Hardware for Audio; Wiring for Audio Post; Guerrilla Problem Solving; CHAPTER 4 The Studio: Audio Software; Splices were Cross-Fades; Audio Software; CHAPTER 5 Planning the Track
- Different Media are Heard DifferentlySpread Things Around; Consider the Workflow; Preproduction for Postproduction; CHAPTER 6 Getting Audio into the Computer; Transfer Technology; Analog Audio Recording; Synchronization; Troubleshooting Transfers and Ingest; CHAPTER 7 Voiceover Recording a Dialog Replacement; Voiceover Perspective; What's Needed for Voiceover Recording; The Human Factor: Directing; ADR; CHAPTER 8 Editing Dialog; This Chapter is in Three Sections; Dialogue Editing Techniques; Track Splitting and Filling; Restoring Lipsync by Eye; CHAPTER 9 Finding and Editing Music
- Spotting NotesGetting the Music; Rights and Licenses; Library Music; Music Editing; CHAPTER 10 Working with Sound Effects; Sound Effect Terminology; Sound Effect Sources; Placing and Editing Sound Effects; Sound Effects Design; CHAPTER 11 Equalization; Frequency Bands; Equalizer Characteristics and Types; Tuning an Equalizer; Equalizer Cookbook; CHAPTER 12 Dynamics Control; Characteristics and Controls; Dynamics Cookbook; CHAPTER 13 Time-Domain Effects; Reverb vs. Echo vs. Delay; The Short Delays; Long Delays; Reverberation; Reverb and Distancing; Reverb Settings
- Unintentional Time-Domain IssuesCHAPTER 14 Time and Pitch Manipulation; Speed-based Effects; Changing Pitch and Time Independently; Pitch Shifters; Time and Pitch Cookbook; CHAPTER 15 Noise Reduction; It's not Really Noise Reduction; The Reality of Noise Removal; Masking; A Few Other Noise Reduction Facts; Single-ended Processing; Noise Reduction Examples; CHAPTER 16 Other Effects; Stereo Simulation; Vocal Elimination; Harmonic Exciters; Creating New Effects by Combining Old Ones; CHAPTER 17 The Mix; What a Mix Needs; How to Mix; No Cookbook, but a Tasting; CHAPTER 18 After the Mix
- Layback and Print MasteringKeep Lots of Copies; Testing the Track; Data Compression and Streaming; Release Formats; Afterword; CHAPTER 19 Help!; Problems with Sound Quality; Dropped Frames; Random Strangenesses; Lipsync Problems; Edit and Mix Problems; It Just doesn't sound as Good as what I Hear at the Movies; APPENDIX A: GLOSSARY; A; B; C; D; E; F; H; I; L; M; N; O; P; R; S; T; V; W; X; Z; APPENDIX B: ABOUT THE CD; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Z
