Photoshop CS3 RAW transform your RAW images into works of art
Because RAW files remain virtually untouched by in-camera processing, working with them has given digital photographers greater flexibility and control during the editing process -- for those who are familiar enough with the format. Camera RAW, the plug in for Adobe Photoshop CS3, has emerged as on...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Beijing ; Sebastopol California :
O'Reilly
2007.
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| Edición: | First edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627071006719 |
Tabla de Contenidos:
- Foreword; Introduction; Chapter One: Shooting RAW; Why Shoot RAW?; When to Shoot RAW; Critical Digital Camera Settings; Correct Exposure; Including a Color Target; Chapter Two: Using Adobe's Photo Downloader; Using the Photo Downloader Standard Dialog; Useful Features of theAdvanced Dialog; Chapter Three: Photo Editing RAW in Bridge; Launching Bridge; Bridge Revealed; Creating a CustomWorkspace; Editing a Photo Session; Renaming Files; Chapter Four: Getting Started with Camera Raw; UpdatingCamera Raw; Workflow Options; Camera Raw Tools; Preview and Analysis in Camera Raw; Camera Raw Tabs
- Chapter Five: Photo Editing with Camera RawPreliminary Steps; Editing the Shots; Chapter Six: Using Camera Raw Basic Tab Controls; Using Camera Raw Auto ToneAdjustments; Customizing the Camera Raw Default Settings; Evaluating an Image in Camera Raw; Manually Adjusting White Balance; Manually Mapping Tone; Adding Clarity; Using Vibrance and Saturation; Finishing Up; Adjustments with Photoshop; Chapter Seven: Advanced Tonal Control; Using Camera Raw Tone Curves for More Control; Using theHSL/Grayscale Tab; Creating CustomCamera Profiles; Advanced Tonal Control with Camera Raw and Photoshop
- Part One: Creating Two VersionsPart Two: Blending Two or More Copies in Photoshop; Chapter Eight: Sharpening RAW; RAWSharpening 101; Sharpening with Adobe Camera Raw; Using Photoshop'sSmart Sharpen; Sharpening High ISO Images with Reduce Noise; Chapter Nine: Reducing Noise, Correcting Chromatic Aberrations, and Controlling Vignetting; About Noise; Using Camera Rawto Reduce Noise; Using Photoshop's Reduce Noise Filter; About Chromatic Aberrations; Diminishing or Adding Vignetting; Chapter Ten: Converting RAW to Black and White, Toning, and Special Effects; Using Camera Raw's Grayscale Mix
- Single Color ToningGetting A Cross-Processing Look with Split Toning; Pushing theBoundaries with Special Effects; Advanced Localized Control; Chapter Eleven: Archiving and Working with DNG; Archive Strategy: Hedging Your Bets; Saving DNG Files; Converting to DNG with Camera Raw; Using Adobe DNG Converter; Chapter Twelve: Converting and Delivering RAW; Using Bridge withImage Processor to Convert RAW Files; Applying Custom Settings to Multiple RAW Images; UsingCamera Raw'sSave Image; Automating Contact Sheets, Packages, and Web Galleries; Using Batchand Actions; WritingCustom Scripts; Index
