Introduction to media production the path to digital media production

Introduction to Media Production, Third Edition, provides students with a practical framework for all aspects of media production by addressing the technological and aesthetic changes that have shaped the industry. Offering both hands-on instruction and theoretical information, it provides a sound b...

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Detalles Bibliográficos
Autor principal: Kindem, Gorham Anders (-)
Otros Autores: Musburger, Robert B.
Formato: Libro electrónico
Idioma:Inglés
Publicado: Burlington, MA : Focal Press c2005.
Edición:3rd ed
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009626900106719
Tabla de Contenidos:
  • Introduction to Media Production The Path to Digital Media Production; Copyright; Table of Contents; Preface; 1. The Production Process: Analog and Digital Technologies; Topics for Discussion; Introduction; Stages of Production; Preproduction; Production; Postproduction; Digital Versus Analog Technology; Digital Technologies Used in Preproduction; Digital Technologies Used in Production; Digital Technologies Used in Postproduction; A Short History of Audio, Film, and Video Production Technology; Production Terminology; Single-Camera Versus Multiple-Camera and Studio Versus Location Production
  • Planning for Positive Production ExperiencesAvoiding Negative Production Experiences; The Production Team in Audio, Video, Film, and Multimedia Production; Creative Staff in Media Production; The Producer; The Director; The Assistant/Associate Director; The Scriptwriter; The Production Crew in Media Production; The Director of Photography; The Lighting Director; The Camera Operator; The Art Director of Scenic Designer; The Technical Director; The Editor; The Audio Engineer or Mixer; The Video Engineer or Laboratory Color Timer; The Production Team in the Recording Industry
  • The Producer and OperatorThe Arranger; The Production Team in Interactive Multimedia Production; The Developer; The Publisher; The Producer; The Designer; The Writer; The Video Director; The Art Director; The Art Graphic Artist/Animator; The Programmer; Visualization: Images, Sounds, and the Creative Process; Conveying Information; Rhetorical Persuasion; Artistic Expression; Production Aesthetics; Realism; Modernism; Postmodernism; Combining Aesthetic Approaches; Summary; Exercises; Additional Readings; Chapter 2. Producing and Production Management; Topics for Discussion; Introduction
  • ProducingThe Role of the Producer; Production Strategies; Market Research; Production Goals and Objectives; Audience Analysis; Proposal Writing; Project Presentations; Legal Rights and Concerns; Unions, Guilds, and Nonunion Working Conditions; Production Management; Script Breakdown; Shooting Schedule; Production Budget; Summary; Exercises; Additional Readings; Chapter 3. Scriptwriting; Topics for Discussion; Introduction; Visual Thinking; Preparation for Scriptwriting; Research; Premise, Synopsis, and Outline; Treatments; Scriptwriting Formats; Full-Page Master Scene Script format
  • Split-Page Script FormatSemi-Scripted Formats; Fiction Scriptwriting; Dramatic Structure; Act One; Act Two; Act Three; Rising Action: Crises and Climax; Falling Action: Resolution; Text and Subtext; Narrative Structure; Characterization and Theme; Adaptation; Short Fiction Forms and Formats; Interactive Stories and Games; Nonfiction Scriptwriting; Rhetorical and Expository structure; Voice and Point of View; Narration and Interviews; Short Nonfiction Forms and Formats; News Stories; Talk Show; Commercials and Public Service Announcements; Instructional Films and Videos
  • Interactive Learning and Training