Modern recording techniques
As the most popular and authoritative guide to recording available, Modern Recording Techniques provides everything you need to master the tools and day-to-day practice of music recording and production. The sixth edition has been expanded to cover the latest digital audio technology and features a...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press, an imprint of Elsevier
2005.
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| Edición: | 6th ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009626890106719 |
Tabla de Contenidos:
- Cover; ModernRecordingTechniques; Copyright; Table of Contents; Acknowledgments; About the Authors; Trademarks; CHAPTER 1 Introduction; The Recording Studio; The Control Room; The Project Studio; The Portable Studio; Whatever Works for You; Making the Project Studio Pay for Itself; Live/On-Location Recording: A Different Animal; Audio for Video and Film; Multimedia; The Web; The People Who Make It All Happen; The Artist; Studio Musicians and Arrangers; The Producer; The Engineer; Assistant Engineer; Maintenance Engineer; Mastering; The DJ; Studio Management; Music Law; Women in the Industry
- Behind the ScenesCareer Development; The Recording Process; Preparation; Recording; Overdubbing; Mixing Down; Mastering; Product Manufacture; The Transducer; CHAPTER 2 Sound and Hearing; The Basics of Sound; Waveform Characteristics; Amplitude; Frequency; Velocity; Wavelength; Phase; Phase Shift; Harmonic Content; Envelope; Loudness Levels: The Decibel (dB); Logarithmic Basics; The dB; The Simple Heart of the Matter; The Ear; Threshold of Hearing; Threshold of Feeling; Threshold of Pain; Taking Care of Your Hearing; Psycho-acoustics; Auditory Perception; Beats; Combination Tones; Masking
- Perception of DirectionPerception of Space; Direct Sound; Early Reflections; Reverberation; Doubling; CHAPTER 3 Studio Acoustics and Design; Studio Types; The Professional Music Studio; The Audio-for-Visual Production Environment; The Project Studio; The Portable Studio; Primary Factors Governing Studio and Control Room Acoustics; Acoustic Isolation; Walls; Floors; Risers; Ceilings; Windows and Doors; Iso-Rooms and Iso-Booths; Noise Isolation within the Control Room; Partitions; Symmetry in Control Room Design; Frequency Balance; Reflections; Absorption; High-Frequency Absorption
- Low-Frequency AbsorptionReverberation; Acoustic Echo Chambers; Power- and Ground-Related Issues; Grounding Guidelines; Balanced Power; Power Conditioning; A Few Helpful Hints; CHAPTER 4 Microphones: Design and Application; The Microphone: An Introduction; Microphone Design; The Dynamic Microphone; The Ribbon Microphone; The Condenser Microphone; Microphone Characteristics; Directional Response; Frequency Response; Transient Response; Output Characteristics; Microphone Preamps; Phantom Power; Microphone Techniques; Pickup Characteristics as a Function of Working Distance
- Distant Microphone PlacementClose Microphone Placement; Accent Microphone Placement; Ambient Microphone Placement; Stereo Miking Techniques; Spaced Pair; X / Y; M/S; Decca Tree; Surround Miking Techniques; Ambient Surround Mics; Surround Decca Tree; Recording Direct; Microphone Placement Techniques; Brass Instruments; Trumpet; Trombone; Tuba; French Horn; Guitar; Acoustic Guitar; Miking Near the Sound Hole; Surround Guitar Miking; The Electric Guitar; Miking the Guitar Amp; Recording Direct; The Electric Bass Guitar; Keyboard Instruments; Grand Piano; Separation; Upright Piano
- Electronic Keyboard Instruments
