How video works

Most used book by professionals in broadcast and post production video departments in the entertainment industry!HOW VIDEO WORKS (formerly Videotape Theory & Operations) offers to the working video professional or student a complete and thorough guide to understanding how the analog and digital...

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Detalles Bibliográficos
Otros Autores: Weise, Marcus., author (author), Weynand, Diana (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Amsterdam ; Boston : Focal Press 2004.
Edición:1st edition
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009626883706719
Tabla de Contenidos:
  • Cover; Title; Copyright Page; Contents; Chapter 1 Introduction; Video Evolution; Analog and Digital; Video Applications; About This Book; Chapter 2 Electronic Photography; Tube Cameras; Scanning the Image; Displaying the Image; CCD Cameras; Camera Chips; Chapter 3 Scanning; Video Lines; Blanking; Persistence of Vision; Fields; Interlace Scanning; Black and White Specifications; Chapter 4 Synchronizing the Analog Signal; Synchronizing Generators; Synchronizing Pulses; Drive Pulses; Blanking Pulses; Horizontal Blanking; Vertical Blanking; Vertical Synchronizing Pulses; Equalizing Pulses
  • Color SubcarrierCross Pulse; Other Signal Outputs; Vertical Interval Signals; Chapter 5 The Transmitted Signal; Modulating the Signal; Frequency Spectrum; Analog and Digital Broadcasting; Bandwidth; Satellites; Uplink and Downlink; Chapter 6 Color Video; Additive and Subtractive; Primary and Secondary Colors; The Color System; Harmonics; NTSC Color Transmission; NTSC Color Frame Rate; Vectors; Color Burst; Chrominance and Luminance; Color Difference Signals; I and Q Vectors; Other Color Standards; Chapter 7 Monitoring the Color Image; The Human Eye; Color Bars; The Monochrome Image
  • PLUGE BarsColor Image; Chapter 8 Analog Waveform Monitors; Graticule; Signal Components on Graticule; Waveform Display Controls; Signal Measurement; Filters; Reference; Inputs; Display; Combining Setups; Viewing Color Bars; Viewing an Image; Chapter 9 Analog Vectorscopes; Graticule; Axes; Vector Readings; Setup Controls; Input Selections; Calibration; Active Video; PAL Signal; Other Scopes; Chapter 10 The Encoded Signal; Analog and Digital Encoding; Analog Encoding Process; Analog Composite Signal; Analog Component Signal; Digital Encoding Process; Digital Composite Signals
  • Digital Component SignalTranscoding; Encoding and Compression; Chapter 11 Digital Theory; Analog Video; Digital Video; Sampling Rate; Computer Processing; Binary System; Digital Stream; Serial Digital Interface; Chapter 12 Digital Television Standards; Standards Organizations; Standards Criteria; Image Resolution; Aspect Ratios; Pixel Aspect Ratio; Interlace and Progressive Scan Modes; Frame Rate; Standards Category; Conventional Definition Television (CDTV); Digital Television Standards (DTV); High Definition Television (HDTV); Standard Definition Television (SDTV); Digital Audio
  • Chapter 13 High Definition VideoWidescreen Aspect Ratio; Image Resolution; Progressively Segmented Frames; Frame Rate; Film-to-Tape Conversion; HDTV Worldwide Standards; Converting an HD Signal; HDTV Applications; Chapter 14 Digital scopes; Digital Signal; Dual Digital Scope Overview; WFM601 Monitor Overview; Video Display; Video In; Sweep; Reference; Menu Section; Chapter 15 Compression; Lossless Compression; Lossy Compression; JPEG Compression; Motion JPEG Compression; MPEG Compression; MPEG-1; MPEG Variations; The MPEG Process; I Frames; P Frames; B Frames; The Group of Pictures (GOP)
  • IP Method