The director's idea the path to great directing
As a director, you must have a concept, a ""director's idea"", to shape your approach to the actors, the camera, and the script. With this clear idea your film will be deeper and more effective, and you will be able to differentiate--and therefore make the choice--between c...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press
c2006.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009626869606719 |
Tabla de Contenidos:
- pt. I: What the director does. Introduction
- The director's idea
- The competent director
- The good director
- The great director
- Text interpretation
- The camera
- The actor
- pt. II: The case studies of directing. Sergei Eisenstein : the historical dialectic
- John Ford : poetry and heroism
- George Stevens : the American character : desire and conscience
- Billy Wilder : existence at stake
- Ernst Lubitsch : the life force of romance
- Elia Kazan : drama as life
- Francois Truffaut : celebrate the child
- Roman Polanski : the aloneness of existence
- Stanley Kubrick : the darkness of modern life
- Steven Spielberg : childhood forever
- Margarethe Von Trotta : historical life and personal life intersect
- Lukas Moodysson : empathy and its limits
- Catherine Breillat : the warfare of sexuality
- Mary Harron : celebrity and banality
- Conclusion
- Appendix: Finding the director's idea.
