Meter in Music, 1600-1800 : Performance, Perception, and Notation

Meter in Music, 1600-1800 Performance, Perception, and Notation

While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace,...

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Detalles Bibliográficos
Autor principal: Houle, George (-)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Bloomington : Indiana University Press 1987
1987.
Colección:Music--scholarship and performance
Materias:
Takt.
Metriek.
Uitvoeringspraktijk.
Performance practice (Music)
Musical notation.
Musical meter and rhythm.
Musique > 18e siecle > Interpretation.
Musique > 17e siecle > Interpretation.
Musique > Notation.
Musique > Mesure et rythme.
Performance practice (Music) > 18th century.
Performance practice (Music) > 17th century.
Performance practice (Music) > History > 18th century.
Performance practice (Music) > History > 17th century.
Art music, orchestral & formal music
History.
Electronic books.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009598321606719
Tabla de Contenidos:
  • The origins of the measure in the seventeenth century
  • Time signatures in the eighteenth century
  • Rhythmopoeia: quantitative meters in poetry and music
  • Quantitas Intrinseca: the perception of meter
  • Articulation of quantitative meter
  • Accent as measure articulation and as measure definition.

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