Harpsichord in America A Twentieth-Century Revival
After its eclipse by the piano, the harpsichord survived primarily as a museum curiosity until the end of the nineteenth century. But early in the new century the player and builder Arnold Dolmetsch found a ready market for his harpsichords, clavichords, and virginals and an eager audience for his c...
Otros Autores: | |
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Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Bloomington :
Indiana University Press
1989
1989. |
Materias: | |
Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009598317606719 |
Tabla de Contenidos:
- A passion for collecting
- An explorer arrives: Arnold Dolmetsch
- Dolmetsch's American legacy
- The incomparable Wanda Landowska
- Lewis Richards, American harpsichordist
- Landowska's American circle
- Made in America: harpsichords?
- New generation, new aesthetic: Ralph Kirkpatrick
- Two "first ladies of the harpsichord"
- A golden age: Landowska returns
- The past is future
- Marathon man: Fernando Valenti
- Kits, records, and all that jazz.