Musikalische repertoires in Zentraleuropa (1420 - 1450) Prozesse & Praktiken

With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic...

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Detalles Bibliográficos
Otros Autores:	Tammen, Björn Renko (auth), Rausch, Alexander, 1971-, editor (editor), Tammen, Björn R., editor
Formato:	Libro electrónico
Idioma:	Alemán
Publicado:	Wien : Böhlau 2014 [2014]
Colección:	Wiener musikwissenschaftliche Beiträge ; Band 26. Forschungsschwerpunkt Musik--Identität--Raum.
Materias:	Music > Europe, Central > History and criticism > Congresses. Music > 15th century > History and criticism > Congresses. Music history Late Middle Ages musical repertories music patronage ritual identity awareness of time Trent codices Hermann Poetzlinger mensural codex St. Emmeram England John Dunstaple Guillaume Dufay Gilles Binchois Central Europe Vienna Hermann Edlerawer Urbanus Kungsperger Johannes Brassart Johannes de Sarto Frederick III (IV) of Habsburg Albert II (V) of Habsburg Rudolf Volkhardt Petrus Wilhelmi de Grudencz Bohemia Veneto motet devotional motet genre transformation Marian devotions musical iconography chapel Sangvers Oswald von Wolkenstein Hugo von Montfort Michel Beheim Heinrich der Teichner Peter Suchenwirt Monk of Salzburg Liebhard Eghenvelder Neidhart (Nithart) Austrian National Library University of Vienna Council of Constance Council of Basle Nibelungenlied Johannes Lupi Johannes Wiser Johannes Prenner Regensburg St Stephen St Martin Jan Hus isorhythmic motet Ghent altarpiece Jan van Eyck Hubert van Eyck Musikgeschichte Polyphony
Ver en Biblioteca Universitat Ramon Llull:	https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009438334606719