Sounds of the underground a cultural, political, and aesthetic mapping of underground and fringe music
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from tradition...
| Autor principal: | |
|---|---|
| Autor Corporativo: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press
[2016]
|
| Colección: | Tracking pop
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009434182306719 |
Tabla de Contenidos:
- Intro
- Contents
- Preface
- Part I-What Is the Underground?
- 1. Introduction to the Underground and Its Fringes
- 2. The Music and Musicians
- 3. Global and Local Underground/Fringe Scenes
- Part II-The Political and Cultural Underground
- 4. Politics and Underground/Fringe Music
- 5. Cultural Policy and Underground/Fringe Music
- 6. Artists and Music, Improv and Noise
- 7. The Digital Economy and Labels
- 8. Festivals and Venues
- Part III-Listening to the Underground
- 9. Noise as Concept, History, and Scene
- 10. The Politics of Underground Music and Noise
- 11. The Sounds of Noise
- 12. Extreme Metal
- Conclusion
- List of Interviewees
- Notes
- Bibliography
- Index.
