Painting the novel pictorial discourse in eighteenth-century English fiction
Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting – a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century...
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| Format: | eBook |
| Language: | Inglés |
| Published: |
New York, New York ; London, [England] :
Routledge
2017.
2018. |
| Edition: | 1st |
| Series: | British literature in context in the long eighteenth century.
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| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009433700006719 |
Table of Contents:
- Cover
- Half Title
- Title Page
- Copyright Page
- Contents
- List of Figures
- Acknowledgements
- Introduction
- The Sister Arts Theory
- Self-Reflexive W riting
- Terms and Methods
- Material and Chapter Contents
- 1 "Painted in Its Low-priz'd Colours": The Realist and the Allegorical in Daniel Defoe's Roxana
- 2 William Hogarth and Mid-Eighteenth-Century Novelistic Projects
- Fielding, Hogarth and Character
- Smollett and Hogarthian Variety
- Sterne and "Howgarth's Witty Chissel"
- 3 The Animated Portrait in The Castle of Otranto and the Post-Walpolean Gothic
- 4 The "Complete Beauty" and Its Shadows: Picturing the Body in Frances Burney's Evelina
- 5 Sentimental Iconography from Laurence Sterne to Ann Radcliffe: The Case of Guido Reni
- Conclusion
- Bibliography
- Index.
