The craft of poetry dialogues on minimal interpretation
This book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation betwe...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge
2015.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009433694406719 |
Tabla de Contenidos:
- Cover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T. S. Eliot, "The LoveSong of J. Alfred Prufrock")
- 8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico GarcíaLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke,"Sonnets to Orpheus II.13"); Index
