Banksy urban art in a material world
Bristol born Banksy is usually categorized as a Street Artist, although his art, in content and form, transcends a narrow understanding of this term. This publication primarily deals with Banksy as a contemporary Urban Artist and his relationship with consumer culture. It examines Banksy not only in...
| Other Authors: | , |
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| Format: | eBook |
| Language: | Inglés |
| Published: |
Marburg :
Tectum Wissenschaftsverlag
2016
[2016] |
| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009433367406719 |
Table of Contents:
- Table of Content; Thanks to; 1) Introduction; a) How Does Banksy Depict Consumerism?; b) How is the Term Consumer Culture Used in this Study?; c) Sources; 2) Terms and Definitions; a) Consumerism and Consumption; i) The Term Consumption; ii) The Concept of Consumerism; b) Cultural Critique, Critique of Authority andEnvironmental Criticism; c) Consumer Society; i) Narrowing Down »Consumer Society«; ii) Emergence of Consumer Societies; d) Consumption and Religion; e) Consumption in Art History; i) Marcel Duchamp; ii) Andy Warhol; iii) Jeff Koons; f) Graffiti, Street Art, and Urban Art
- i) Graffitiii) The Term Street Art; iii) Definition of Street Art; (1) Street (and) Art; (2) »Illegal« versus »Self-authorized«; (3) Word versus Image; (4) The Viewer of Street Art; (5) Street Art Is Site-Specific; (6) The Performative Aspect of Street Art; (7) Street Art Is Ephemeral and Participatory; (8) Street Art and Advertising; (9) Quality Characteristics of Street Art; iv) Urban Art; 3) London at the Turn of the Millennium; a) The London Art Scene since 1980; b) Damien Hirst and Young British Artists; c) What makes a British artist in the 1990s a Young British Artist?; 4) Banksy
- a) Street Art - The Rise of Banksyi) Why Did Street Art Increase around 2000?; ii) The Spectacularization of Art; iii) Barcode - »Barcode Leopard« (2000); iv) Money; (1) »Cash Point« (ca. 2001-2005); (2) »Di-Faced Tenners« (2005); v) Leftist Consumption; (1) »IKEA Punk« (2009); (2) »Destroy Capitalism« (2006); b) Painting - »Crude Oils« (since 2000); i) The Series and the Exhibition; (1) The Framing; (2) Rats; ii) Selected Artwork; (1) Toxic Waste Barrel - »Crude Oil« (2005); (2) Shopping Cart - »Show me the Monet« (2005); (3) The Tesco Supermarket Motif and the Shopping Bag
- c) Installation - »The Village Pet Store and Charcoal Grill« (2008-09)i) Fast-food Consumption - »Nuggets« and »Sausages«; ii) Animals as a Raw Material Supplier - »Leopard«; iii) Children, Consumption and Cosmetics - »Rabbit«; iv) Media Consumption - »Primates«; 5) Banksy and Damien Hirst; a) »Keep it Spotless (Defaced Hirst)« (2007); b) Hirst's Spot Paintings; c) »Keep it Spotless (Defaced Hirst)« (2007) Part 2; d) The Location Reference - Street and Art; 6) Artistic strategies for dealing with Consumer Phenomena; a) A Consumer Paradise Illusion?; i) The Controlled »Shock«
- ii) Over-Identification and Ironyb) Banksy's Anti-Consumption, Political-Activist Caricature; i) Images of Images; ii) (Dis)placement and Staging; c) Brands not Products; d) Souvenirs; e) Advertising; e) (Im)material Things; 7) Appendix; a) Banksy's Pseudonym; b) Banksy's »Biography«; c) Banksy's Exhibitions; i) Banksy's Artistic Activities and Travels; ii) Banksy's Album Covers; d) Bibliography; i) Online Sources with an Author; ii) Online Sources without an Author; iii) Other Websites; iv) Printed Magazine or Newspaper Articles, Papers, Essays and Interviews
- v) Books and Exhibition Catalogs
