Film as Embodied Art Bodily Meaning in the Cinema of Stanley Kubrick

How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this b...

Descripción completa

Detalles Bibliográficos
Autor principal:	Coëgnarts, Maarten, author (author)
Autor Corporativo:	Knowledge Unlatched funder (funder)
Formato:	Electrónico
Idioma:	Inglés
Publicado:	Boston, MA Academic Studies Press 2019 Boston, MA : [2019]
Materias:	Film theory & criticism 2001: A Space Odyssey. 20th century film. Barry Lyndon. Eyes Wide Shut. Paths of Glory. Stanley Kubrick. The Shining. aesthetics. artistic intention. cinema studies. cognitive film theory. cognitive linguistics. communication. directing. embodied cognitive science. embodied meaning. evolutionary theory. film as language. film scores. film semiotics. film studies. film. filmmaking. metaphor. methodology. music. perception. philosophy. psychoanalysis. screenwriting. semiotics. twentieth century film.
Ver en Biblioteca Universitat Ramon Llull:	https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009432693606719

Tabla de Contenidos:

Frontmatter
Contents
List of Illustrations
Acknowledgments
Introduction. The Theoretical Context of This Study
Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films
Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies
Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting
Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick
Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer
Appendix
Glossary
Filmography
Discography
Bibliography
Index

Film as Embodied Art Bodily Meaning in the Cinema of Stanley Kubrick

Ejemplares similares