Where she always was poems
In his foreword, J.D. McClatchy speaks of the musical qualities of Lindsay's work: ""It is impossible, reading her poems, not to hear a musical hand at work. This is not just a matter of delicacy or virtuosity. It is also a matter of knowing how to phrase a line... Lindsay moves from...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Logan :
Utah State University Press
c2004.
|
| Colección: | May Swenson Poetry Award series.
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009432632006719 |
Tabla de Contenidos:
- Intro
- CONTENTS
- ACKNOWLEDGMENTS
- FOREWORD
- PART ONE
- GATHERING HIM IN
- RAIN TURNING TO SNOW
- FERAL KITTENS
- MISSING
- FOR NADJA
- GRADUAL CLEARING
- LADYBUG
- TAKING OFF MY CROSS
- KISS, AFTERWARD
- DOG, NAPPING
- HAPPINESS
- MAGNOLIA
- RAPUNZEL DESCENDING
- PART TWO
- RESPECTS
- MOTHER'S GOLDFISH
- I LIKED MY MOTHER BEST
- BAD DOG MAN
- UNDERNEATH
- SATURDAY MORNINGS, 1954
- BY THE LAKE
- REMEMBERING STARS
- SQUARE DANCE, 1956
- CELLO LESSONS
- THE CORRECTION
- MIDAS ALONE
- VIGIL
- CHAGALL' S FLOATING WOMAN
- PERSONAL EFFECTS
- UNAFRAID
- MOTHER
- URN
- PART THREE
- COLD FRONT
- MIDAS's DAUGHTER AT FIFTY
- AGING NUDE
- LINES ON A WINDOW
- CINDERELLA AT WORK
- THAW
- ANTIPHON
- LIGHTERS AND KNIVES
- THE CLOTHESLINE PROJECT
- WHITE SHIRT
- EVE IN EXILE
- NOWHERE NEAR BETHLEHEM
- MAGDALENE BATHING
- SHOULD THIS BECOME ORDINARY
- OLD DOG
- REMAINS
- SILENT NIGHT
- BLESSING AT THE END OF TIME
- PYRE
- WHERE SHE ALWAYS WAS
- BENEDICTION
- ABOUT THE AUTHOR
- THE MAY SWENSON POETRY AWARD.
