The cultural practice of immigrant filmmaking minor immigrant cinemas in Sweden 1950-1990

Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant...

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Detalles Bibliográficos
Otros Autores: Andersson, Lars Gustaf, author (author), Sundholm, John, author
Formato: Electrónico
Idioma:Inglés
Publicado: Bristol, Engalnd : Intellect [2019]
Edición:1st ed
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009431228106719
Tabla de Contenidos:
  • Intro
  • Half Title
  • Title
  • Copyright
  • Contents
  • Foreword
  • Acknowledgements
  • Introduction: The Cultural Practice of Immigrant Filmmaking
  • Film and theory
  • Minor cinemas, the public sphere and the production of locality
  • Migration and diaspora: Notes on recent research
  • Outline of the book
  • Chapter 1: Migrants' Minor Cinemas: Beyond Accented and Exilic Cinema
  • Accented cinema
  • Minor cinema
  • Beyond textual models of the accented and exilic
  • Chapter 2: Conditions of Production: Immigrant's Associations and Workshops in Sweden
  • Immigration and culture in post-war Sweden
  • Establishing experimental film culture: The Independent Film Group
  • Immigrant film as cultural policy: The Stockholm Film Workshop
  • The momentary agency: Cineco (Cinecooperativo)
  • To be or not to be a filmmaker: Kaleidoscope
  • Do it yourself: The Tensta Film Association
  • The production of film, the production of experience and the public
  • Chapter 3: From Avant-Garde to Communion: Ten Films by Immigrant Filmmakers in Sweden
  • Fabulations in the minor key
  • Studie 1 (Uppvaknandet) by Peter Weiss (1952)
  • Monos by the Tensta Film Association (1974)
  • Vill du följa med mig Martha? by the Tensta Film Association (1980)
  • Interference by Maureen Paley (1977)
  • Jordmannen by Muammer Özer (1980)
  • Hägringen by Guillermo Álvarez (1981)
  • Havet är långt borta by Reza Bagher (1983)
  • Löftet by Menelaos Carayannis (1984)
  • La espera by Myriam Braniff (1989)
  • Fem minuter för Amerikas döda/Pichqa minutukuna ilaqtanchispi wanuqkunamanta by César Galindo (1992)
  • Projecting a public, creating a context
  • Chapter 4: The Cultural Practice of Minor Immigrant Cinema Archiving
  • The archival life of cinema
  • The archival trajectories of the immigrant films
  • The Stockholm Film Workshop and immigrant filmmaking
  • Performing accidental archives.
  • Dispositif in the making, palimpsests of minor histories and the politics of recognition
  • Conclusion: Immigrant Filmmaking as Minor Cinema Practice
  • Bibliography
  • Filmography
  • Names Index
  • Film Index
  • Subject Index.