Crash cinema and the politics of speed and stasis
Argues that representations of the car crash in film genres from slapstick comedies to industrial-safety movies parallels the collision of film and other media.
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Durham, NC :
Duke University Press
2010.
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| Colección: | e-Duke books scholarly collection.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009430280806719 |
Tabla de Contenidos:
- "Jerky nearness" : spectatorship, mobility, and collision in early cinema
- Car wreckers and home lovers : the automobile in silent slapstick
- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy
- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002)
- Film falls apart : Crash, Semen, and Pop
- Crash aesthetics : Amores perros and the dream of cinematic mobility
- The afterlife of Weekend, or, the university found on a scrapheap.
