Realizing the witch science, cinema, and the mastery of the invisible
Benjamin Christensen’s Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectac...
| Otros Autores: | , |
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| Formato: | Electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press
2016
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009430224206719 |
