Sounding the Cape Music, Identity and Politics in South Africa
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an ìidentityî which is first and foremos...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse
2013.
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| Edición: | 1st ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009429951606719 |
Tabla de Contenidos:
- Part one: The emergence of Creolised identities: Chapter one: Music and identity: a theoretical prologue
- Chapter two: Cape Town's musics: a legacy of Creolisation
- Part two: The dialectics of separation and interweaving: Chapter three: Separation and interweaving in the 20th century: futile separations; Vincent Kolbe's childhood memories
- Chapter four: Separation and interweaving in the 20th century: fertile intertwining; Chris McGregor talks about the blue notes, jazz and South African society; "Soweto Sun", an interview with Rashid Vally by Denis-Constant Martin
- Chapter five: Two decades of freedom
- Chapter six: The musicians' discourse: Cape Town as a musical Potjiekos
- Conclusion: Recognising Creolisation?
- References
- Illustrations
- Musicians interviewed in 2007 and 2009
- Index.
