Following the cap-figure in Majapahit temple reliefs a new look at the religious function of East Javanese temples, fourteenth and fifteenth centuries
Following male figures wearing a cap (cap-figures) in temple reliefs of the Javanese Majapahit period (ca. 1300-1500) leads to astonishing results on their meaning and function. The cap-figures, representing commoners, servants, warriors, noblemen, and most significantly Prince Panji, the hero from...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Leiden :
Brill
2013
2013. |
| Colección: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
280. |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009428392906719 |
Tabla de Contenidos:
- Preliminary Material
- Introduction
- Narrative reliefs and panji stories
- Iconography of the Late East Javanese temple reliefs
- Temples in context of religion and politics
- Table of depictions of cap-figures in Majapahit art in chronological order
- Candi Jago: The cap, a new fashion of headgear
- Candi Panataran: Panji, introducing the pilgrim into the Tantric doctrine
- Candi Surowono: Sidapaksa, a nobleman with a cap
- Candi Mirigambar: Panji, the ideal lover and warrior
- Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax
- Conclusion: Panji and the Cap-figure as intermediary characters on the path to Tantric rituals
- Appendix: Previous research on the single case studies
- Glossary: Javanese and Old Javanese terms
- Bibliography
- Index.
