Actors and the Art of Performance Under Exposure
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the...
| Autor principal: | |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico |
| Idioma: | Inglés |
| Publicado: |
Basingstoke
Springer Nature
2016
London : 2016. |
| Edición: | 1st ed. 2016. |
| Colección: | Performance Philosophy
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009428303906719 |
Tabla de Contenidos:
- Part I: Hits
- 1. Auditorium X
- Double stalemate
- Turning point, peripeteia
- Turn around
- i, mine
- 2. Speculations
- Actors' fears
- Crying
- Child's play
- Exposed
- With-out me
- 3. Black out
- First time at the theater
- Part II: Experts in being?
- 4. The actor: A creature of fable
- why do you want to be an actor?
- 5. The Causa Corpora
- The kiss of Olympia
- Machine against man
- The actor's trump card
- 6. The gift of acting
- Skipping
- Prejudice
- Subject-based thinking versus stage experience
- Master and servant
- Bodies on stage
- Innocence of becoming
- Language and speaking
- Digesting speech
- Counterwords
- The Other, the others
- Affect versus thought
- Thinking and acting
- Repetition
- 7. The gift of death
- Tu es mort
- Theater as a symbolic death
- Point of no return
- Felicity
- a salto mortale
- Our friend Touchstone
- 8. Finale and punctum
- Why do you want to be an actor?
