Women's experimental cinema critical frameworks
This volume offers introductions to the work of fifteen avant-garde American women filmmakers.
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press
2007.
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| Colección: | e-Duke books scholarly collection.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009425892406719 |
Tabla de Contenidos:
- Swing and sway: Marie Menken's filmic events / Melissa Ragona
- Different/same/both/neither: the polycentric cinema of Joyce Wieland / Paul Arthur
- Excavating visual fields, layering auditory frames: signature, translation, resonance, and Gunvor Nelson's films / Chris Holmlund
- Moving and moving: from minimalism to Lives of performers / Noel Carroll
- Eye/body: the cinematic paintings of Carolee Schneemann / M. M. Serra and Kathryn Ramey
- "Absently enchanted": the apocryphal, ecstatic cinema of Barbara Rubin / Ara Osterweil
- Amy Greenfield: film, dynamic movement, and transformation / Robert A. Haller
- Barbara Hammer: lyrics and history / Chuck Kleinhans
- Chick Strand's experimental ethnography / Maria Pramaggiore
- Amnesis time: the films of Marjorie Keller / Robin Blaetz
- In the ruins of the image: the works of Leslie Thornton / Mary Ann Doane
- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim
- Peggy's playhouse: contesting the modernist paradigm / William C. Wees
- Su Friedrich: breaking the rules / Janet Cutler
- The experimental "dunyementary": a cinematic signature effect / Kathleen McHugh
- Women's experimental cinema: some pedagogical challenges / Scott MacDonald.
