The cinema of Marguerite Duras multisensoriality and female subjectivity
The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worke...
Otros Autores: | |
---|---|
Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Edinburgh :
Edinburgh University Press
[2019]
|
Colección: | Visionaries: Thinking Through Female Filmmakers : VISI
|
Materias: | |
Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009425888806719 |
Tabla de Contenidos:
- Frontmatter
- Contents
- List of figures
- Acknowledgements
- Introduction
- 1. Film theory, multisensoriality and the feminine
- 2. Inscribing authorship
- 3. Desynchronisation, subversion and the senses
- 4. Multisensorial visuality
- 5. Soundscape: sonic aesthetics and the feminine
- Conclusion
- Bibliography
- Filmography
- Index