Realist cinema as world cinema non-cinema, intermedial passages, total cinema
This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way...
Other Authors: | |
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Format: | eBook |
Language: | Inglés |
Published: |
Amsterdam :
Amsterdam University Press
[2020]
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Edition: | 1st ed |
Series: | Film culture in transition
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Subjects: | |
See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009424812506719 |
Table of Contents:
- Frontmatter
- Table of Contents
- List of Illustrations
- Acknowledgements
- Introduction
- Part I. Non-cinema
- 1. The Death of (a) Cinema
- 2. Jafar Panahi’s Forbidden Tetralogy
- 3. Film as Death
- 4. The Blind Spot of History
- Part II. Intermedial Passages
- 5. The Geidōmono Genre and Intermedial Acting in Ozu and Mizoguchi
- 6. Intermedial History-Telling
- 7. Passages to Reality
- Part III. Towards Total Cinema
- 8. The Reality of Art
- 9. Historicising the Story through Film and Music
- 10. Total Cinema as Mode of Production
- Bibliography
- Index