Faraway settings Spanish and Chinese theaters of the 16th and 17th centuries
A comparative study of Ming and Iberian theaters has never been attempted. Thus, this book aims to provide the reader with a series of different approaches. First, through a comparison of specific works by Spanish and Chinese playwrights during the Ming and Habsburg periods, we aim to show that at t...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Madrid : Frankfurt am Main :
Editorial Iberoamericana
2019.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009424644806719 |
Tabla de Contenidos:
- Frontmatter
- Table of contents
- Preface
- Jongleuresque Origins
- Spain Learning about Chinese Theater (Miguel de Luarca's Verdadera relación de la grandeza del Reino de China)
- Painting Emotions and Dreams (Tang Xianzu's Peony Pavilion and Lope de Vega's La quinta de Florencia)
- Global Climate and Emotions
- Emotion, Object, and Space (Tang Xianzu's Peony Pavilion and Pedro Calderón de la Barca's La vida es sueño)
- Picaresque Theater (Miguel de Cervantes' Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong)
- Theatrical Characters (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong)
- Audience Reception (Pedro Calderón de la Barca's El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong)
- From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian)
- Christian sacred plays and Nō Style
- Depicting Japan: Lope de Vega and Los primeros mártires del Japón
- Contributors
- Index
- También en Iberoamericana/Vervuert
