Unbecoming cinema unsettling encounters with ethical event films
Unbecoming Cinema explores the notion of cinema as a living, active agent, capable of unsettling and reconfiguring a person's thoughts, senses, and ethics. Film, according to David H. Fleming, is a dynamic force, arming audiences with the ability to see and make a difference in the world. Drawi...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Bristol
Intellect
2017
Bristol, England ; Chicago, Illinois : 2017. |
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| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009424515806719 |
Tabla de Contenidos:
- Introduction: on ethics and evental encounters
- Part I. Exposing and revealing
- Death 24X a haecceity: or Deleuze, life and the ethico-aesthetics of documenting suicide in (and off) The bridge
- Cinema and/as autism: disorder-ing movements from the intellect to intuition, ego to the eco, and 'pre-chunked' perception to in-forming haecceitic 'shapes' (via Deligny and Guattari)
- Part II. Distorting and perverting
- Head cinema as body without organs: on Jodorowsky's Bitter Pill films and their Spinozian parallels
- That's 'really' sick: pervert horror, torture porn(ology), bad-taste and emetic affect in Lucifer Valentine's Unbecoming 'Cinema of repulsions.'
