Mainstream Culture Refocused Television Drama, Society, and the Production of Meaning in Reform-Era China
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Honolulu :
University of Hawaiʻi Press
2010.
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| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009424108006719 |
Tabla de Contenidos:
- Frontmatter
- Contents
- Acknowledgments
- Introduction. Mainstream Culture Refocused: Toward an Understanding of Chinese Television Drama
- Chapter One. Looking through the Negatives: Filmic-Televisual Intertextuality and Ideological Renegotiations
- Chapter Two. Re-collecting “History” on Television: “Emperor Dramas,” National Identity, and the Question of Historical Consciousness
- Chapter Three. In Whose Name? “Anticorruption Dramas” and Their Ideological Implications
- Chapter Four. Beyond Romance: “Youth Drama,” Social Change, and the Postrevolution Search for Idealism
- Chapter Five. Also beyond Romance: Women, Desire, and the Ideology of Happiness in “Family-Marriage Drama”
- Chapter Six. Listening to Popular Poetics: Watching Songs Composed for Television Dramas
- Epilogue: Intellectuals, Mainstream Culture, and Social Transformation
- Notes
- Glossary
- Filmography
- Bibliography
- Index
