Aesthetics and subjectivity : from Kant to Nietzsche

Aesthetics and subjectivity from Kant to Nietzsche

Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.

Bibliographic Details
Main Author: Bowie, Andrew, 1952- (-)
Other Authors: Bowie, Andrew, contributor (contributor)
Format: eBook
Language:Inglés
Published: Manchester, UK ; New York : Manchester University Press 2003.
Manchester : [2018]
Edition:2nd ed., completely re-written and updated
Subjects:
Aesthetics, German > 18th century.
Aesthetics, German > 19th century.
Aesthetics, Modern > 18th century.
Aesthetics, Modern > 19th century.
Subjectivity.
See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009423269006719
Table of Contents:
  • Preface to the second edition
  • Introduction
  • 1. Modern philosophy and the emergence of aesthetic theory: Kant
  • 2. German Idealism and early German Romanticism
  • 3. Reflections on the subject: Fichte, Hölderlin and Novalis
  • 4. Schelling: art as the 'organ of philosophy'
  • 5. Hegel: the beginning of aesthetic theory and the end of art
  • 6. Schleiermacher: art and interpretation
  • 7. Music, language and literature
  • 8. Nietzsche and the fate of Romantic thought
  • Conclusion
  • Appendix: The so-called 'Oldest system programme of German idealism' (1796)
  • References
  • Index.

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