Sounding imperial poetic voice and the politics of empire, 1730-1820
Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cr...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Baltimore :
Johns Hopkins University Press
2012.
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| Edición: | 1st ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009422994606719 |
Tabla de Contenidos:
- ""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""Introduction: The Global Aesthetics of Poetic Voice""; ""1. Thomas Gray, Virtual Authorship, and the Performed Voice""; ""Authoring Gray�s “Elegy�""; ""Performing Gray�s “Elegy�""; ""Impersonating the Bard?""; ""Wildness and Welsh Prosody""; ""Quotation Marks""; ""(Un)Editing the Bards""; ""2. Wales, Public Poetry, and the Politics of Collective Voice""; ""Bardic Nationalism Reconsidered""; ""The Aboriginal Aesthetics of Iolo Morganwg""; ""Listening to the Welsh Past""; ""Dead Voices Reanimated""
- ""3. Scotland and the Invention of Voice""""Primitive Passions, Poetry Addiction, History""; ""Ambiguous Speech""; ""Writing, Re-performance, and Restored Voices""; ""Intimate Hailing""; ""Ossian�s Afterlife""; ""4. Impersonating Native Voices in Anglo-Indian Poetry""; ""William Jones and the Fountainhead of Verse""; ""Making the Subaltern Speak""; ""Rewriting Gray�s “The Bard� in India""; ""Dislocated Orientalism""; ""Coda: Reading the Archive of the Inauthentic""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""
- ""L""""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z""
