The novel in English as paradigm of Canadian literary identity : from Frances Brooke to Sara Jeannette Duncan

The novel in English as paradigm of Canadian literary identity from Frances Brooke to Sara Jeannette Duncan

Detalles Bibliográficos
Otros Autores: Rodríguez Nieto, Natalia, author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Salamanca : Ediciones Universidad de Salamanca [2013]
Colección:Colección Vítor ; 337.
Materias:
Duncan, Sara Jeannette, > 1861-1922.
Canadian literature.
Canadian fiction > Women authors.
Libros electrónicos.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009422142606719
Tabla de Contenidos:
  • THE NOVEL IN ENGLISH AS PARADIGM (...); PÁGINA LEGAL; TABLE OF CONTENTS II:; INTRODUCTION; PART I THE CHALLENGE OF FEMINISMS AND ETHNIC STUDIES; CHAPTER I AT THE CROSSROADS OF LITERARY HISTORY; I.1 LITERATURE AND HISTORY: NEW HISTORICISM, FEMINISMS AND ETHNIC STUDIES; I.2 THE INVENTION OF TRADITION AND THE CONSTRUCTION OF LITERARY IDENTITY; CHAPTER II INTERSECTIONS / INTERSEXIONS": FEMINISMS AND ETHNIC STUDIES11; II.1 INTERSECTIONS: FEMINISMS AND ETHNIC STUDIES; II.2 FEMINISMS: "ALIEN AND CRITICAL"; II.3 ETHNIC STUDIES; PART II ENGLISH CANADIAN LITERARY HISTORY, TRADITION AND IDENTITY
  • CHAPTER III THE CANONIZATION AND ANTHOLOGIZATION OF ENGLISH CANADIAN LITERATUREIII.1 THE CANONIZATION OF ENGLISH CANADIAN LITERATURE; III.1.1 CANADA'S LITERARY CANON AND THE CANONIZATION OF ENGLISH CANADIAN LITERATURE; III.2 THE ANTHOLOGIZATION OF ENGLISH CANADIAN LITERATURE; CHAPTER IV CHALLENGING ENGLISH CANADIAN LITERARY HISTORY, TRADITION AND IDENTITY: FEMINISMS AND ETHNIC STUDIES.; IV.1 WHY DO WE READ WHAT WE READ?; IV.2 'STRANGERS WITHIN OUR GATES'?; PART III THE NOVEL IN ENGLISH AS PARADIGM OF CANADIAN LITERARY IDENTITY: FROM FRANCES BROOKE TO SARA JEANNETTE DUNCAN
  • CHAPTER V FRANCES BROOKE'S CONTRIBUTION TO ENGLISH CANADIAN LITERARY IDENTITY: THE HISTORY OF EMILY MONTAGUE (1769)CHAPTER VI ALTERNATING VOICES IN CANADA: SILENCED EARLY ENGLISH NOVEL WRITERS; VI.1 FRANCES BROOKE'S LEGACY; VI.2 AN EARLY BLACK CANADIAN NOVEL IN ENGLISH: MARTIN ROBINSON DELANY'S BLAKE; OR THE HUTS OF AMERICA (1859-1862, SERIALLY PUBLISHED); VI.3 A BRIEF NOTE ON EARLY CANADIAN JUVENILE FICTION IN ENGLISH: AGNES MAULE MACHAR'S FOR KING AND COUNTRY (1874) AND MARGARET MARSHALL SAUNDERS'S BEAUTIFUL JOE (1894)
  • VI.4 CHALLENGING SENTIMENTALITY: EMPOWERED WOMEN IN LOST FOR A WOMAN. A NOVEL BY MAY AGNES EARLY FLEMING (1880)VI.5 MARGARET MURRAY ROBERTSON: "TEACHING THROUGH WRITING"; VI.6 LILY DOUGALL'S CONTRIBUTION TO THE CANADIAN NOVEL IN ENGLISH: WHAT NECESSITY KNOWS (1893); VI.7 JOANNA ELLEN WOOD AND THE CHILD OF SHAME70: THE UNTEMPERED WIND; VI.8 AN APPROACH TO FICTION AND CANADIANICITY IN SIMON POKAGON'S LIFE OF O-JI-MAW-KWE-MIT-IGWA- KI, QUEEN OF THE WOODS (1899); VI.9 "A STRANGER WITHIN OUR GATES": ONOTO WATANNA'S THE HEART OF HYACINTH (1903)
  • CHAPTER VII AT THE MAKING OF A NATION": SARA JEANNETTE DUNCAN'S THE IMPERIALIST (1904)CONCLUSIONS; BIBLIOGRAPHICAL REFERENCES

Ejemplares similares