Literary coteries and the making of modern print culture, 1740-1790
Literary Coteries and the Making of Modern Print Culture offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scriba...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press
2016.
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| Colección: | Open Access e-Books
Knowledge Unlatched |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009420086306719 |
Tabla de Contenidos:
- Introduction: the literary coteries in the eighteenth-century media landscapes
- 1. Wrest Park and North End: two mid-century coteries
- 2. Formation, fame, and patronage: the Montagu-Lyttelton coterie
- 3. Identity and influence from coterie to print: Carter, Chapone, and the Shenstone-Dodsley collaboration
- 4. Memorializing a coterie life in print: the case of William Shenstone
- 5. "This new species of mischief": Montagu, Johnson, and the quarrel over character
- 6. Transmediations: marketing the coterie traveler
- 7. Literary sociability in the eighteenth-century personal miscellany.
