Virtual works – actual things essays in music ontology
What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised? 'V...
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| Format: | Electronic |
| Language: | Inglés |
| Published: |
Leuven, Belgium :
Leuven University Press
[2018].
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| Series: | Orpheus Institute series.
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| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009419797806719 |
Table of Contents:
- Introduction Paulo de Assis
- Virtual works
- actual things Paulo de Assis
- Locating the performable musical work in practice: a non-platonist interpretation of the "classical paradigm" / David Davies
- Towards a general theory of musical works and musical listening / Gunnar Hindrichs
- The work of the performer / John Rink
- Music as play: a dialogue / Andreas Dorschel
- What anyway is a "music discomposed"? reading Cavell through the dark glasses of Adorno / Lydia Goehr
- Response 1, What Is a music dis-discomposed? / Kathy Kiloh
- Response 2, Krenek, Cage, and Stockhausen in Cavell's "Music discomposed" / Jake McNulty
- Response 3, Stanley Cavell's "Music discomposed" at 52 / Paulo de Assis.
