Architecture now! Arquitectura hoy = Architettura oggi = Arquitectura dos nossos dias
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Castellano |
| Publicado: |
Köln [etc.] :
Taschen
cop. 2001-
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991004473079706719 |
Tabla de Contenidos:
- Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.
- Conté volum 6: 3DELUXE (Leonardo Glass Cube, Bad Drinurg Germany, 200-07), p. 52 ; 3LHD ARCHITECTS (Sports Hall Bale-Valle, Croatia, 2005-06), p. 58 ; ADJAYE / ASSOCIATES (Museum of Contemporany Art/Denver, Denver, Colorado, USA, 2004-07), p. 66 ; Al WEI WEI/FAKE DESIGN (Template, Documenta 12, Kassel, Germany, 2007), p. 72 ; TADAO ANDO (21_21 Design Sight, Minato-ku, Tokyo, Japan, 2004-07), p. 76 ; ALEJANDRO ARAVENA (Centro Tecnológico, Universidad Católica, San Joaquin Campus, Santiago, Chile, 2003-06), p. 84 ; ARGE GRAZIOLI KRISCHANITZ (Museum Rietberg Extension, Zurich, Switzerland, 2004-06), p. 92 ; SHIGERU BAN (Post-Tsunami Rehabilitation Houses, Kirinda, Hambantota, Sri Lanka, 2005-07), p. 98 ; BARKOW LEISINGER (Trutec Building, Seoul, Korea, 2005-06), p. 102 ; BERNARDES + JACOBSEN (TIM Festival 2007, Rio de Janeiro, Rio de Janeiro, Brazil, 2007), p. 108 ; COOP HIMMELB(L)AU (Akron Art Museum, Akron, Ohio, USA, 2001-07 / BMW Welt, Munich, Germany, 2001-07), p. 114 ; OLAFUR ELIASSON ( The New York City Waterfalls, New York, New York, USA, 2008 / Serpentine Gallery Pavilion 2007, Kensington Gardens, London, UK, 2007), p. 134 ; EMERGENT (Shenzen Museum of Contemporany Art, Shenzhen, China, 2007 / National Library of the Czech Republic, Prague, Czech Republic, 2006-07), p. 144 ; KSP ENGEL UNO ZIMMERMANN (Bergen-Belsen Documentation and Information Center, Celle, Germany, 2005-07), p. 156 ; FAM ARQUITECTURA (March 11 Memorial for the victims, Madrid, Spain, 2005-07), p. 164 ; FOSTER AND PARTNERS (Russia Tower, Moscow, Russia, 2006- / Crystal Island, Moscow, Russia, 2006-), p. 168 ; TERUNOBU FUJIMORI (Chashitsu Tetsu (Teahouse Tetsu), Kiyoharu Shirakaba Museum, Nakamaru, Hokuto City, Yamanashi, Japan, 2005), p. 174 ; MASSIMILIANO FUKSAS(Zénith Strasbourg, Ecxbolsheim, Strabourg, France, 2003-07), p. 180 ; ANTÓN GARCÍA-ABRIL (SGAE Central Ofiice, Santiago de Compostela, Galicia, Spaim, 2005-07), p. 188 ; DIONISIO GONZALEZ (Favela Series, São Paulo, São Paulo, Brazil, 2004-07), p. 196 ; ZAHA HADID (Nordpark Railway, Innsbruck, Austria, 2004-07), p. 202 ; HEATHERWICK STUDIO (East Beach Café, Littlehampton, West Sussex, UK, 2005-07), p. 216 ; HERZOG & DE MEURON (National Stadium, Main Stadium for the 2008 Olympic Games, Beijing, China, 2003-08 / Caixa Forum, Madrid, Spain, 2001-08), p. 222 ; STEVEN HOLL (The Nelson.Atkins Museum of Art, Bloch Building, Kansas City, Missouri, USA, 2002-07), p. 240 ; HOLZER KOBLER (Arche Nebra Visitor’s Center, Wangen, Germany, 2005-07), p. 250 ; JUNYA ISHIGAMI (Facility, Kanagawa Institute of Technology, Kanagawa, Japan, 2007-08), p. 258 ; TOYO ITO (Tama Art University New Library, Hachioji City, Tokyo, Japan, 2004-07), p. 266 ; JAKOB + MACFARLANE (City of Fashion and Design, Paris, France, 2007-08), p. 274 ; JENSEN & SKODVIN (Tautra Maria Convent, Tautra Island, Norway, 2004-06), p. 280 ; CARLOS JIMENEZ (Rice Libray Service Center (2002-05) and Rice Data Center (2006-07) / Rice University South Campus Master Plan, Houston, Texas, USA), p. 288 ; KENGO KUMA (Suntory Museum of Art, Minato-ku, Tokyo, Japan, 2004-07), p. 294 ; LASSILA HIRVILAMMI (Kärsämäki Church, Kärsämäki, Finland, 1999-2004), p. 302 ; LEGORRETA + LEGORRETA (La Purificadora BoutiqueHotel, Puebla, Mexico, 2006-07), p. 308 ; DANIEL LIBESKIND ( Royal Ontario Museum Extension, Toronto, Canada, 2002-07), p. 314 ; LIN FINN GEIPEL + GIULIA ANDI (Alvéole 14, Submarine Base Rehabilitation, Quartier Ville Port, Saint-Nazaire, France, 2005-07), p. 320 ; MII ARCHITECTEN (Information Center, National Center for Arboriculture, Baarn, the Netherlands, 2001-03), p. 330 ; MADA S.P.A.M. (Comprehensive Office Building, Zhujiajiao Administration Center, Quingpu, Shangai, China, 2004-06), p. 334 ; PAULO MENDES DA ROCHA (Our Lady of the Conception Chapel, Recife, Pernambuco, Brazil, 2004-06), p. 340 ; CORINNA MENN (Conn Viewinf Platform, Flims, Switzerland, 2005-06), p. 346 ; MERKX + GIROD ARCHITECTEN (Selexyz Dominicanen Bookstore, Maastricht, The Netherlands, 2005-07), p. 352 ; JOSÉ RAFAEL MONEO (Prado Museum Extension, Madrid, Spain, 2001-07), p. 358 ; MORPHOSIS (Hypo Alpe-Adria Bank Headquarters, Udine, Italy, 2004-06), p. 364 ; MVRDV (GYRE Building, Shibuya-ku, Tokyo, Japan, 2006-07), p. 372 ; MANFREDI NICOLETTI (New Arezzo Hall of Justice, Arezzo, Italy, 2001-07), p. 378 ; VALERIO OLGIATI (Atelier Bardill, Scharans, Switzerland, 2006-07), p. 382 ; STUDIO PEI – ZHU (Digital Beijing, Control Center for the 2008 Olympics, Beijing, China, 2005-08), p. 386 ; RENZO PIANO (The New York Times Building, New York, New York, USA, 2005-07), p. 394 ; PTW ARCHITECTS (The Watercube, National Swimming Center, Beijing, China, 2003-08), p. 404 ; STUDIO ARNE QUINZE (Uchronia Message out of the Future, Burning Man Festival, Black Rock City, Black Rock Desert, Nevada, USA, 2006), p. 412 ; RCR ARQUITECTES (The Edge, Bussines Bay, Dubai, United Arab Emirates, 2008-), p. 418 ; ROJKIND ARQUITECTOS (Nestlé Chocolate Museum (Phase I), Toluca, Mexico City, Mexico, 2007), p. 424 ; MARC ROLINET (Chapel of the Deaconesses of Reuilly, Versailles, France, 2004-07), p. 430 ; HANS-JORG RUCH (Chesa Madalena, Zuoz, Switzerland, 2001-02), p. 438 ; SANAA/SEJIMA + NISHIZAWA (De Kunstlinie, Theater and Cultural Center, Almere, The Netherlands, 2004-07 / New Museum of Contemporary Art, New York, New York, USA, 2005-07), p. 442 ; THOMAS SCHÜTTE (Model for a Hotel, Fourth Plinth, Trafalgar Square, London, UK, 2007-08), p. 456 ; SCOPE CLEAVER (Princeton University Gallery of the Arts, Princeton University (120, 204, 24), “Second Life”, 2007), p. 460 ; ÁLVARO SIZA VIEIRA (Adega Mayor Winery, Argamassas Estate – Campo Maior, Portugal, 2005-06 / Iberê Camargo Foundation, Porto Alegre, Rio Grande do Sul, Brazil, 1998-2008), p. 466 ; SNØHETTA (Oslo Opera House, Oslo, Norway, 2003-08), p. 484 ; TONKIN LIU (Singing Ringing Tree, Crown Point, Burnley, UK, 2005-06), p. 492 ; BERNARD TSCHUMI (Zénith Concert Hall, Limoges, France, 2005-07), p. 496 ; UNSTUDIO (Hotel Castell, Zuoz, Switzerland, 2001-04 / Theater Agora, Lelystad, The Netherlands, 2004-07), p. 502 ; URBANIS (Dafen Art Museum, Dafen Village, Shenzhen, China, 2006-08), p. 516 ; PEKKA VAPAAVUORI (KUMUU, Main Building of the Art Museum of Estonia, Tallinn, Estonia, 2003-06), p. 524 ; VARIOUS ARCHITECTS (Make It Right/Pink Project, New Orleans, Louisiana, USA, 2007-), p. 530 ; WANDEL HOEFER LORCH (Ohel Jakob Synagogue, Jewish Center in Munich, St.-Jakobs- Platz, Munich, Germany, 2003-06), p. 540 ; JEAN-MICHEL WILMOTTE (Ullens Center for Contemporary Art (UCCA), Beijing, China, 2006-07), p. 546 ; RIKEN YAMAMOTO (Yokosuka Museum of Art, Kanagawa, Japan, 2004-07), p. 552 ; PETER ZUMTHOR (St. Niklaus von Flüe Chapel, Mechernich-Wachendorf, Germany, 2003-07 / Kolumba Art Museum of the Archidiocese of Cologne, Cologne, Germany, 2003-07), p. 560.
