The Concept and fabrication of stained glass from the Middle Ages to Art Nouveau : 30th International Colloquium Corpus Vitrearum : Barcelona-Cerdanyola-Girona, 4-7 July 2022

The Concept and fabrication of stained glass from the Middle Ages to Art Nouveau 30th International Colloquium Corpus Vitrearum : Barcelona-Cerdanyola-Girona, 4-7 July 2022

Detalles Bibliográficos
Autores Corporativos: International Colloquium of the Corpus Vitrearum (-), Corpus Vitrearum Medii Aevi. Comité Català, entitat editora (entitat editora)
Otros Autores: Boulanger, Karine, editor literari (editor literari), Shortell, Ellen , editor literari, Spooner, Joseph , editor literari, Trümpler, Stefan , editor literari
Formato: 991009668038306719
Idioma:Inglés
Publicado: [Barcelona] : Corpus Vitrearum Catalunya [2022]
Materias:
Segle VI-segle XX
Vitralls > Història > Congressos.
Vitralls > Tècnica > Història > Congressos.
Vitralls
Història.
Congressos
Ver en Biblioteca Pública Episcopal del Seminario de Barcelona:https://csuc-instb.primo.exlibrisgroup.com/discovery/search?query=any,contains,991001603589706707&tab=BPEBcat&search_scope=BPEB&vid=34CSUC_INSTB:BPEB&offset=0
Tabla de Contenidos:
  • Conté: PAPERS
  • Lecture session 1: chaired by Tim Ayers
  • The role of ornament in the conception and significance of Medieval figurative stained glass / Brigitte Kurmann-Schwarz
  • Masterpieces and pattern books of leaded panels: the Ulrix Manuscript / Liesbeth Langouche and Joost Caen
  • Stained-glass windows designs of the 17th and 18th Centuries preserved in Barcelona / Sílvia Cañellas
  • Lecture session 2: chaired by Michel Hérold
  • Die Glasmalerei im Gesamtensemble des Naumburger Westchors / Maria Deiters, Cornelia Aman
  • Les artistes polyvalents et le vitrail monumental dans les anciens Pays-Bas pendant la première moitié du XVIe siècle : l’exemple de Bernard van Orley et de Pieter Coecke / Isabelle Lecocq
  • Das Oberurbacher Passionsfenster – ein Exempel für die Kooperation zwischen Malern und Glasern/Glasmalern? / Ikuko Oda
  • Teodoro de Holanda et les projets pour les vitraux de la cathédrale de Grenade / Jan Van Damme
  • Lecture session 3: chaired by Isabelle Lecocq
  • Gaudí à la recherche d’un langage propre dans le vitrail : la trichromie / Antoni Vila i Delclòs
  • Wappenscheiben für Patriziat und Adel – Zur Zusammenarbeit des Stadtglasers Jost Vetter mit Hans Baldung Grien im vorreformatorischen Straßburg / Daniel Parello
  • Entre l’historicisme et l’art nouveau, le début du vitrail aux Îles Canaries. Le renouvellement architectonique, les techniciens diplômés et l’acceptation des esthétiques étrangères / Jonás Armas Núñez
  • Die jüngere Fensterausstattung des Linzer Mariendoms. Ein landesgeschichtliches Denkmal ersten Ranges ausZeiten historischen Umbruchs / Christina Wais-Wolf
  • Lecture session 4: chaired by Günther Buchinger
  • De l’esquisse au vitrail : les processus de création dans l’atelier de Claudius Lavergne (1815-1887) / Auriane Gotrand
  • Die Glasmalereifenster der Villa Buchroithner in Innsbruck. Ein Dokument für das bürgerliche Selbstverständnis der Zwischenkriegzeit / Reinhard Rampold
  • Le statut de l’artiste et son évolution dans le cadre de sa collaboration avec l’atelier Kirsch & Fleckner / Valérie Sauterel et Camille Noverraz
  • Lecture session 5: chaired by Karine Boulanger
  • Le vitrail au Chili: les multiples dimensions d'un art d'importation / Andrea Araos
  • Artist, glass-painters, craftsmen, and a dispute about their place in designing and executing stained glass at the beginning of the 20th Century / Wojciech Bałus
  • Lecture session 6: chaired by Aletta Rambaut
  • Ancient remedies for new ideas. Possible sources of the cistercian stained-glass technique and style / Joanna Utzig
  • Paths to reality: remarks on glaziers’ workshop practices in Cracow, c.1380–1440 / Dobrosława Horzela
  • The Church Choir Glazing of Batalha, Portugal: commission, programme, function, authorship, models, and work organization (1514–1531) / Pedro Redol and Márcia Vilarigues
  • Session: Museu del Disseny de Barcelona
  • Designers who collaborated with the stained-glass maker Antoni Rigalt i Blanch: the cases of the architect August Font i Carrera and the painter Apel·les Mestres / Núria Gil Farré
  • Lecture session 7: chaired by Dobrosława Horzela
  • Glass, stained glass, and stone sculpture. Master Jean of Tournay (fl. 1318–1329), among other glaziers in thefirst half of 14th Century in North-Eastern Catalonia / Miquel Àngel Fumanal
  • 14th-Century stained-glass production for the transept Chapels of Santa Croce in Florence, Italy: collaboration and workshop practice / Renée K. Burnam, Americo Corallini, Valeria Bertuzzi, Susanna Bracci ( ), Giovanni Bartolozzi
  • The Wagnerian Windows in the Cercle del Liceu of Barcelona: a Unique Scenography Made of Glass / Clara Beltran, Jordi Bonet, and Núria Gil
  • Lecture session 8: chaired by Sarah Brown
  • Glaziers’ tables, cartoons, and preparatory tracings (underdrawings). Observations from Berne Minster and reflections on the creation of stained glass in the Late Middle ages and the Early Modern period / Stefan Trümpler
  • VISITS
  • The stained-glass windows of Santa Maria del Mar, Barcelona / Sílvia Cañellas
  • The stained-glass windows of Barcelona Cathedral / Sílvia Cañellas
  • Scheme of Girona Cathedral's stained-glass Windows / Anna Santolària
  • Schemes of other Churches in Barcelona with Old Stained-Glass Windows / Corpus Vitrearum Catalunya

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