Alan Lomax
![Lomax at the Mountain Music Festival, [[Asheville, North Carolina]], early 1940s.](https://upload.wikimedia.org/wikipedia/commons/c/c0/Alan_Lomax.jpg)
After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independently in Britain, Ireland, Caribbean region, Italy, Spain, and United States, using the latest recording technology, assembling an enormous collection of American and international culture. In March 2004, the material captured and produced without Library of Congress funding was acquired by the Library, which "brings the entire seventy years of Alan Lomax's work together under one roof at the Library of Congress, where it has found a permanent home." With the start of the Cold War, Lomax continued to advocate for a public role for folklore, even as academic folklorists turned inward. He devoted much of the latter part of his life to advocating what he called Cultural Equity, which he sought to put on a solid theoretical foundation through to his Cantometrics research (which included a prototype Cantometrics-based educational program, the Global Jukebox). In the 1970s and 1980s, Lomax advised the Smithsonian Institution's Folklife Festival and produced a series of films about folk music, ''American Patchwork'', which aired on PBS in 1991. In his late 70s, Lomax completed the long-deferred memoir ''The Land Where the Blues Began'' (1993), linking the birth of the blues to debt peonage, segregation, and forced labor in the American South.
Lomax's greatest legacy is in preserving and publishing recordings of musicians in many folk and blues traditions around the U.S. and Europe. Artists Lomax is credited with discovering and bringing to a wider audience include blues guitarist Robert Johnson, protest singer Woody Guthrie, folk artist Pete Seeger, country musician Burl Ives, Scottish Gaelic singer Flora MacNeil, and country blues singers Lead Belly and Muddy Waters, among many others. "Alan scraped by the whole time, and left with no money," said Don Fleming, director of Lomax's Association for Culture Equity. "He did it out of the passion he had for it, and found ways to fund projects that were closest to his heart". Provided by Wikipedia